论中国山水画的写生-美术学专业论文.docx

途径在振兴现代山水画的创新和突破上起着极其重要的作用。写生在中国美术史上源远流长,对之加以细致深入的分析研究是很有必要
的,对于今天的我们具有重要的现实意义。关键词:写生观察体悟物化视角现代趋势
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Abstract
The sketch of landscape painting in China has e into being 岛r a long time. The word ,sketch,even emerged as early as the Five Dynasties,which refers t。
"the description of life and vitality of all living things",that is ,painter's a kind prehension about natural objects and universe,a kind of flexible and picturesque g出p,部well as the representation of painter's plishment ,temperament and the state of pr臼ent pap町" based on careful and rigid atti阳de,tri臼to illustrate
the point that sketch plays a crucial role in Chin臼e landscape painting from the following five 臼pects of sketch r,臼pectively,its practical significance,essential elements,8asic principals ,main methods and modern-day trend.
Chapter 1: This chapter elaborates systematically on the practical significance of sketch of Chinese landscape 齿。m 岛ur aspects. At first,sketch endows 也e endless landscape painting. Sketch,then, is the bridge to learn 位aditional painting.
Meanwhile,it is an important way to study nature. During the proc臼s of cultivating keen sensitivities of Art and of exploring the language of painting art, sketch also plays
av配y important part.
Chapter 2: This chapter explains the 臼sential elements and fundamental principals of landscape painting sketch. In the first part of this chapter,the author illustrates two basic elements of sketch, the scenery of objective world and the emotion of subjective world. Furth町more,it is demonstrated th础 the landscape painting is b出ed on the dialectical unify of relation between the painter's subj创ive emotion 田td
the objective scenery. In the second part,the author emphasizes on the basic rule of sketch,which "looks upon and down,白eks nearωd far" and "learns from the external universe,obtains 击。m the internal mood" by moving perspective or cavalier perspective. The innovation of1andscape painting doesn't take the simple r凶ppe町