现代京剧《红灯记》音乐美学研究-论文.pdf

摘要
摘要
纵观》的研究成果,学者们对该剧的研究视角大都分
布在整个文化学语境中,抑或在艺术形态领域对其个别唱段进行探讨。而运用美学理
论对其的研究,学者们更多地将视野放宽到“样板戏”整体上,而鲜有对该剧进行细
致的个案分析。笔者尝试从美学的视角,采用实证的方法和历史与逻辑相结合的思辨
方式,探寻该剧音乐布局的形式美与内容美的构成。
经过历史的检验,现代京剧《红灯记》在形式上的继承和创新较为成功,体现于
音乐布局的形态美中使用了移用传统唱腔套路的继承方法和融入新鲜语汇的创新方法
两方面。从音乐内容美学角度看,该剧的情感论美学特征体现为人物道德的英雄美与
剧目主体的悲剧美。
现代京剧《红灯记》是我国“文革”时期的产物,必定留有那个特殊年代的历史
痕迹。通过该剧 1964 年与 1970 年两个演出版本的比较以及与传统京剧的对比,从相
对论的角度应用辩证的思维给予较为客观地评价,认为该剧具有“高大全”多于“中
和美”,“写实性”多于“写意美”,“时代性”注入“程式性”的时代性美感特征。
本文通过总结现代京剧《红灯记》对中国京剧艺术未来发展的启示,探索作为国
粹的京剧艺术未来“三步走”的发展方向,即保存精华,保护传统京剧;留住戏迷,
发展新编历史剧;迎合观众,发展现代戏。



关键词:现代京剧《红灯记》、继承、创新、情感论美学、时代性美感、现代化发
展


1
Abstract
Abstract
In domestic research, most of the research perspectives of the modern opera “The Red
Lantern” are in the context of the whole cultural studies, or in the field of art forms to
explore its individual aria. Using aesthetic theory to study it, scholars would like to broaden
their view to the “model operas” on the whole, but there’s fewer particular research on
modern opera “The Red Lantern” as a case study. I try to explore position of formal
beauty and content beauty of this work’s aria, from an aesthetic perspective, using empirical
methods bination of history and logic.
After the test of history, the inheritance and innovation of the form of the modern opera
“The Red Lantern” has been very terms of music morphological
characteristics of the musical layout in the whole play, it displays the ways of inheritance
with traditional routines of diversion and innovation with new glossarial embedding. From
the angle of musical content, the aesthetic characteristics of the play’s musical emotion
embodied in the heroic beauty of moral character and tragedy beauty of the main plays.
Modern Peking Opera “The Red Lantern” is the product of China’s “Cultural
Revolution”, thus it must reserve the historical traces of that particular era. With the
comparison between the 1964 version and the 1