His voice was husky with emotion when he whispered to his wife, "My kid brother. It makes no sense." Thenhe too addressed everyone. "Let's see if I can do it. Now let's get to this guy. About my brother…" Hepaused pose his thoughts so that he could speak sensibly. His way of talking and the pleasant pitchof his voice were so like his brother's that Phoebe began to cry, and, quickly, Nancy took her by the arm. "His last few years," he said, gazing toward the grave, "he had health problems, and there was alsoloneliness — no less a problem. We spoke on the phone whenever we could, though near the end of his lifehe cut himself off from me for reasons that were never clear. From the time he was in high school he had anirresistible urge to paint, and after he retired from advertising, where he'd made a considerable ess firstas an art director and then when he was promoted to be a creative director — after a life in advertising hepainted practically every day of every year that was left to him. We can say of him what has doubtless beensaid by their loved ones about nearly everyone who is buried here: he should have lived longer. He shouldhave indeed." Here, after a moment's silence, the resigned look of gloom on his face gave way to asorrowful smile. "When I started high school and had team practice in the afternoons, he took over theerrands that I used to run for my father after scho
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