常玉绘画分析-美术学专业毕业论文.docx

目 录
摘要„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„Ⅰ
A b s t r a c t „„„„„„„„„„„„„„„„„„„„„„„„„„„„„Ⅱ
导言„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„ 1
第一章 常玉早期艺术思想·······················································3
一、艺术的启蒙·································································3
(一)、传统教育·······························································3
(二)、走出家门·······························································4
(三)、走出国门·······························································4 二、文化冲击···································································5
(一)、社会背景·······························································5
(二)、接触现代·······························································5 第二章 常玉艺术风格形成与演变···············································9 一、融合与转换·································································9
(一)、求学期间的“与众不同”·················································9
(二)、笔墨之道······························································10
二、独特画风的形成与演变····················································10
(一)、“似与不似”的绘画形态··············································11
(二)、“东方马蒂斯”——与马蒂斯绘画比较······························13
(三)、常玉与莫兰迪的绘画比较···········································16 第三章 画中物··································································20 一、凹凸镜中的人体···························································20 二、一花一世界································································23 三、画中兽·····································································25 第四章多层次的生活感受在艺术实践中的融合——“入世”与“出世”····································· ·····························27
第五章 常玉的艺术选择························································30
结论„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„ 33
参考文献„„„„„„„„„„„„„„„„„„„„„„„„„„„„„ 35
致谢„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„ 36
附录 A ( 攻读学位期间所发表的学术论文目录) „„„„„„„„„„„„ 37
摘 要
中国在近现代时期涌现出一批特立独行、成就斐然的大画家,但是由于他们游离于当时文化艺术潮流的边缘而几乎被人遗忘。时光流逝,在轻轻拂去落在历史上的灰尘之后,人们惊奇地发现了一位又一位有着卓越艺术成就却被遗忘的画家。在20世纪初的法国巴黎,就有着这