试论二胡演奏艺术中的共性与个性问题研究.pdf

天津音乐学院硕士学位论文试论二胡演奏艺术中的共性与个性问题姓名:朱晓斐申请学位级别:硕士专业:艺术学;音乐学指导教师:宋国生 2011-01-10 1 内容摘要本文通过对哲学中共性与个性的概念及其辩证关系进行简要叙述, 试图将其与二胡演奏实践相结合。共性与个性是相对的。二胡艺术中之所以存在着共性与个性问题,首先与时代的变迁,地域、民族的差异以及作曲家、演奏家的个体性差异有着密切的联系。注重共性的重要性,在二胡演奏艺术中主要体现在二胡基本功训练和集体形式的演奏中,没有规范扎实的基本功,在演奏过程中就做不到游刃有余,从而对形成个人演奏风格制造了障碍。集体形式的演奏同样需注重共性,但对于每一位演奏者而言,并非以追求共性为最终目标,而是探求集体性演奏特色。个性的重要性,主要体现在二胡演奏者在独奏时对技巧的灵活运用与情感抒发的控制相结合, 笔者在文中较为详细地分析了不同演奏家对同一首二胡作品的不同处理方式,所展现的是各具特色的演奏风格。分别论述之后,笔者认为共性与个性的问题在二胡演奏艺术中需要协调好, 过分强调其中一者都会产生一定的弊端。过于重视共性,而忽略对演奏个性的培养,那么所有的二胡演奏如出一辙,失去意义,不存在个人演奏风格问题;过于追求个性,忽视培养基本功练习的共性,不遵循体现个性的前提,必将事倍功半。因此,在二胡演奏艺术中掌握好两者的分寸很重要,作为二胡演奏者来说,对于共性与个性问题的认识要透彻,并且要在实践中进行有效的结合。关键词: 二胡演奏共性个性基本功风格 2 Abstract The thesis briefly represents the concep t of universality a nd individuality and their dialectical relati onship in the philosophy, trying to combine this theory with the practice of Erhu performance. Universality and individuality are relative. The problem of universality and individuality in the art of Erhu has much to do with the change of time, area, the national difference and th e individual difference posers and performers. In the Erhu performance, the importance of universality appears on the basic skills training and the form of te am playing. If the formal and steady basic skills are absent, the difficulty skills in the performance process can not be handled with great ease, therefore this will arouse the obstacle to the form of the individual playing styles. The form of team playin g also needs focusing on the universality; however, not all the players pursue the final go al that is the unive rsality, but explore the playing features of the universality . The importance of individuality mainly reflects in the aspect bine the flexib le way of technique with controlling the expressing emotion together in the Erhu so lo. The author thoughtfully analyzes the different playing methods for the same Erhu works that are performed by the different players through which the dist inctive playing styles