论《所罗门之歌》后现代创作风格.pdf

中国海洋大学硕士学位论文论《所罗门之歌》的后现代创作风格姓名:陈贝贝申请学位级别:硕士专业:外国语言学与应用语言学指导教师:左金梅 201106 论《所罗门之歌》的后现代创作风格摘要在中西文学评论界,后现代主义是一个广泛谈论和写作的题目,许多后现代主义作家尝试在作品中加入后现代元素,使其作品呈现后现代风格,进而主张他们的后现代文学理念和创作思想。诺贝尔文学奖获得者托尼·莫里森就是其中的一位。她的第三部小说《所罗门之歌》表现出了明显的后现代风格,但至今为止尚未有人对该话题做全面研究。本论文拟从《所罗门之歌》的体裁,叙‘-,]。全文j￡分r五:卷。第一章简要介绍了托尼·莫哏森的,Jij严以及创作经历, 《所罗门之歌》的故!#梗概和研究现状,以及论文的理论椎架和结构,指m该论义# 要从一j个力‘lfl『探}寸《所罗fJ之歌》的^j现代创fi:]4格:小{急定体哉,模糊叙‘jf和文小F}:文。第’::fX讨沦了《所罗fJ之歌》的不稳定体戡,指?《所岁f J之歌》的不稳定体裁足将其门为后现代文本的蓖要依据;第.-!章分析了该小说叙。j巾,J模糊性,从叙述者和读者两个办面探讨该小说叙事的后现代性。后现代义本中的全知叙述者足/,/fi可证的叙述并直接解构了传统i奘者的被动『fj色。第lJq啦研究了《所罗fJ之歌》小说的且义性,从神话膈i型,引川和戍仿二个角度探讨其文本的后现代。},扛。笫』i章简婴川删!了《所罗fj之歌》的后现代主义风格,并得m结论:虽然托』邑·煲驰森含认她的后现代作家身份,靠:其作¨uI J《所岁『J之瞅》rfJ卸上!现?【!jj!I-kI的肝现代风格。总的石‘米,《所罗I’J之歌》完火地结合了后现代胍格和||裔爻川文。’≯f乞统,足‘i邻0|l型的^i玑代j:义小酏。关键词:后现代风格;体栽;叙事模糊;互文性 On SongofSolomon’s Postmodernist Style Abstract Postmodemism iswidely discussed and written about inboth Chinese and writersattempt toaddpostmodernist elements intotheirstyle inorder toadvocate theirliterary Nobel Prize winner,Toni Morrison is one thirdnovel S0ng ofSolomon demonstrates aremarkable postmodemist style which has never prehensively studied until thesis isintended tointerpret and explore herpostmodemist style interms ofgenres,narrative and intertextuality. Thisthesisconsistsof One presents an overview ofToni Morrison’S lifeand ,it gives abrief account ofthe story ofSongofSolomon,and thetheoretical framework and thelayouts ofthewhole thesis,pointing out thatthisthesisfocuses on threeaspects:instability ofgenres, narrativeambiguity Two deals withtheinstablegenres of SongofSolomon,concluding that theinstability ofgenres makesSong ofSolomon belong topostmodernist Three focuses on thenarrative postmodernity by exploring narrative ambiguity ofSongofSolomon fromtwo aspects:narrator’S ambiguity andtheshiftsofreader’