编号: 南阳师范学院 2012 届毕业生毕业论文(设计) 题目: “元四家”山水研究完成人: 纪军平班级: 2008--01 学制: 4年专业: 美术学指导教师: 张朵聪完成日期: 2012-4-2 目录摘要············································································································································· (1) ··············································································· (1) (一)社会变迁对元四家绘画思想的影响··················································· (1) (二)中国传统诗性文化对元四家山水创作的影响····························· (2) (三)宗教对元四家山水画的影响···································································· (2) (四)文人画传统对元四家山水画观的影响·············································· (3) 二. 元四家的山水画风格与文人画艺术特征及其美学思想···(5) (一) 元四家的山水风格······································································································ 1 .黄公望的山水画风格--- 苍润浑厚··························································· (6) 2 .王蒙的山水画风格--- 繁密(景多稠密) ·········································· (6) 3. 倪攒的山水画风格--- 疏简、清幽··························································· (6) 4. 吴镇的山水画风格---- 自由洒脱······························································ (6) (二)“元四家”山水画的文人画艺术特征及其美学思想 1. 诗画结合······················································································································· (14) 2. 书画结合······················································································································· (14) 3. 重水墨表现················································································································· (14) 4 .借物抒情,强调写意精神············································································· (14) ··············································································· (5) ( 一) 章法布局,笔墨技法····················································································· (14) (二)“尚法”转为“尚意························································································ (14) ( 三) 思想变化····························································
元四家山水画研究--纪军平(精) 来自淘豆网m.daumloan.com转载请标明出处.
