中华民族精神成长的历史轨迹.pdf

中 文 摘 要

自 1932 年《共赴国难》开始，抗日题材影视剧一直是影视工作
者们异常偏爱的题材之一。在本文中，笔者从时代环境与民族意识和
心理的角度对抗日题材影视剧八十多年的发展历程进行了考查。在第
一章笔者分四个时期探讨了抗日题材影视剧的生产，以及不同时期的
作品在题材选择、情节叙事、人物塑造等方面所体现出的独特性，力
图梳理出中国抗日题材影视剧发展的清晰脉络。在第二章，笔者从感
性和理性两个侧面探究了抗日题材影视剧对民族意识的集中彰显。第
三章中，笔者探究了不同时期抗日题材影视剧与中国社会时代心理之
间的关系。在第四章中，笔者深入探讨了抗日题材影视剧与同时期中
华民族的民族心理状态和发展趋势之间的联系。据此，笔者得出以下
结论：特定时代环境下中华民族的民族意识、民族心理和时代心理是
影响抗日题材影视剧创作的重要因素之一，并与其它政治、经济、文
化因素一起，决定了抗日题材影视剧的发展走向。与其说抗日题材影
视剧是对抗日战争历史的真实反映，不如说是对民族与时代的精神特
征的真切反映。因此，不同时期抗日题材影视剧的创作情况和作品特
征能够清晰地显现出该时期民族与时代的意识和心理状态。

关键词： 抗日题材影视剧 民族意识 时代心理 民族心理
Abstract

Since Meet The National Crisis,1932, the Anti-Japanese theme has become one of the
themes of movie and TV workers in abnormal preference. In this dissertation, the
author has carried on the examination to over 80 years’ development of Anti Japanese
plays from the time environment, national consciousness and psychology.
In Chapter I, divided into four periods, the uniquenesses of production in choice of
theme, narrative and characterization have been separately described to outline the
track of development of anti-Japanese movies and TV series. In Chapter II, the author
has explored how the national consciousness showed in the anti-Japanese movies and
TV series, concentrated from two aspects of perceptual and rational. In Chapter III,
the relationship between the anti-Japanese movies/ TV series and Chinese social
psychology in different periods has been discussed. And in Chapter IV, the author has
deeply discussed how the anti-Japanese movies and TV series related to the national
psychological state and developing trend.
Accordingly, the conclusions come out as following: The Chinese national
consciousness,national psychology and era psychology in specific time background is
one of the important factors affecting the creation of anti-Japanese mo