in Château Noir, 1900 – 1904 (f i g . 7 ), Antoine-Fortuné Marion, who discovered the city on a hillside known as Les Lauves, seemingly in ruins, is half-hidden behind evidence of its earliest inhabitants, evoked within walking distance of his apartment. Programs pines that, like the rocks of Bibémus, prehistoric times. Artists had long taken There he set about building a more ser- film progr ams lectures catalogue Cézanne in Provence ominously obstruct the sky. Cézanne’s note of Sainte-Victoire’s distinctive silhou- viceable space. The Atelier des Lauves, a A film series, opening on Febru- East Building Auditorium The exhibition is accompanied
