松柏苍劲烟林清旷——北宋李成松柏寒林绘画研究论文题目: 松柏苍劲烟林清旷——北宋李成松柏寒林绘画研究专业:中国山水画创作与研究硕士生:燕一群(签名) 指导教师:陈国勇(签名) 摘要: 本文在第一部分对魏晋至唐代松柏寒林绘画的发展演变过程,结合史料对具体人物的风格特点进行了纵向的概括性分析。论文的第二部分对李成松柏寒林绘画的美学思想方面:首先从儒家思想的影响进行探究,其中包括一些儒学典籍中所涉及的林木自然观和李成生平所受儒家思想的浸染及与之相联系的李成的个性气质特征结合史料进行了研究;然后从诗歌对中国绘画的文化滋养及中国山水的诗性特征,特别是李成松柏寒林绘画所蕴涵的诗歌意境并结合具体作品进行了比照性的分析。论文的第三部分以李成的主要居住、活动地山东的人文、地理、自然环境为切入点对李成松柏寒林绘画风格的形成采取了史料研究、作品分析与实地考察得出结论相结合的方法进行了探源性研究。旨在揭示自然山水的地理人文特征对山水画风格形成的影响。第四部分对李成松柏寒林绘画使用材料——绢素的特性及处理、使用方法以至笔墨特点与材料的关系,结合史料与实践临摹的感受进行了研究分析。又用较多的篇幅对李成松柏寒林绘画的显著特点: 平远构图;精微的用笔;淡润的墨色等。采取了史料、画论、美学思想、作品分析相结合的方法进行了较具体的阐释。最后对李成松柏寒林的绘画技法及创作过程中心境意识特征进行了分析。通过对李成的松柏寒林绘画的研究旨在更深入了解画家、分析作品、提高认识,以利创作。松柏苍劲烟林清旷一躲李成松柏寒林绘醐究㈧1111111l㈨㈣㈣㈣㈣Ⅲ——————————————————————一一Y1 740742 Make asummary: The generality developing evolution process,having carried out direction on concrete personage style bining with historical material entering toWei tillcold theTang Dynasty pine and cypress forestdrawing inPart Ianalyses themain bedy of IIthe aesthetic ideology aspect tocold LiCheng Song Bai forestdrawing ofthesis:The plying with Confucian learning firstcarries outanexploration,the ancient book and record ishitby dip dyeing and theableindividuality ofLiqualities contacting with thatappearance accepted Confucian learning by what berelatedthatforest treeconception of nature and LiCheng Sheng Ping among them including some Confucianism characteristic union historicalmaterial beinprogress research;And then theculturechecking Chines painting from poetry andsong nourishes thepoem nature characteristic reaching Chinese landscape,especially what coldLiCheng Song Bai forestdrawing accumulates the poetryandsong onception containing and having been bining with concrete work appearance union method studying work isanalytical and on—the-spot es tO aconclusion taking able main Lihabitancy,humanity,geographical feature, natural environment exercising field Shandong’S aspoint of ration have adopted historical material on cold LiCheng Song Bai forest drawi
