极少思想的建筑表达.pdf

极少思想的建筑表达.pdf坠堡堡三兰奎兰塞丝兰堡圭兰篁篁兰摘要 2()世纪60年代,现代主义建筑运动的世界大同导致了建筑的性格认同危机,面对20世纪80一90年代设计多元化的热闹和喧嚣以及随之而来对人文情怀的陶醉、对可持续发展的追随,使设计浮于表面、流于形式,于是及时对设计的本质和目的进行思考和梳理是十分必要的。“极少思想”的提出有利]二理清思路、看清本质、避免盲目,使新世纪的设计朝着健康的方向发展。建筑的发展伴随着周期性的轮刚,极少主义在后现代与解构主义之后, 站在更高的立场上对现代主义进行了继承和发扬。建筑之美在于科学与艺术、技术与人性的结合,片面的强调一面忽视另~面都将与设计的初衷背道而驰。极少主义关注建筑的本质,提倡用简练的语言和手段进行创作,即表达出了艺术的姿态——大众的、生活的、自然的、朴素的、无处不在的,又恰倒好处的结合了地域、人文表达出了对可持续发展理念的深层理解。本文正是基于对技术、艺术、美学、哲学等各个方面的综合考虑,构成文章写作的出发点,作者首先对极少主义艺术门类依次巡礼作为其理论研究的背景,综合哲学、美学抽象出极少思想,然后分别在创作思维、创作语言‘、创作手段三个方面概括极少思想的体现并把理论应用于实践所需要注意的问题作为文章的主要线索。文章的主旨在于表达这样一个愿望:对于“极少思想”的研究,意义不在于它具体是什么、反映了什么,而在于通过它来考察设计的本质、设计中各要素之间的内在关系以及这些要素是如何构成一个完美统一的整体。关键词极少思想;极少主义;创作思维;创作语言:创作步骤坠尘釜三些奎耋些堑兰堡:至耋堡兰塞 Abstract Inthe60s of 20th century,the Modernism of theworld architecture led to a crisisofarchitecture characters。 Face tothe highly blooming and prosper ofdesign,along with the self- satisfaction topeople’s feelings,the following tocontinue development caused the design ofbuilding to exist inexterior,flowing to the ,it was imminence and necessary toconsidering thenature,the objective study of“The Minimalism”can tideup thethinking,looking atthe essence clearly, avoiding totheblindness sothatcausing thedevelopment ofthedesign towards a healthy way inthe new century. The development of thearchitectures along with theperiodic change,the Minimalism came behind of the post—Modernism and deconstruction,and it inherited and developed the Modernism in a higher position,The beauty of architecture was based bining ofthe science and theart,thetechnology and the humanistic,it should run inthe opposite direction ofdesign which unilateral toemphasized one side and ignored Minimalism was attention tothe nature ofarchitecture,it initiated幻use theconcise language and instrument forcreating,either lowering thelevelof theexpression tothegesture ofart,humans,exists,natural,frugal and everywhere,as well bining the fieldwith culture toexpress prehend ofcontinued development ideal. Base on theadvisement ofea