摘要摘要 Y1727660 中国人物画从战国帛画开始,走过了魏晋与隋唐两个全盛期,至明末渐有式微之势。从某种程度上说,明万历年西方传教士的进入,客观上为传统人物画带来了新的动力,中国人物画得以第二次吸取外来营养。其中以“波臣派"中的曾鲸尤为典型,曾鲸开风气之先,他的肖像画立足于我们民族传统绘画基础之上, 除了强调中国画用笔用墨的特点,坚持以墨线和墨晕为骨,还借鉴西画中的表现手法,赋予我们民族自己的“凹凸法"以新的内容,发展了具有中国作风的肖像画。曾鲸肖像画风格的形成因素可归因于两个方面:“西画东渐”影响和中国传统写真术的继承。而曾鲸肖像画在技法创新、章法构图、以形写神三方面上有着自身鲜明的特色,也为后来的清朝人物写真确立了一种新的写实主义态度,有着深远的影响。关键词:曾鲸肖像绘画波臣派 Abstract Abstract Chinese figurepainting has experienced alonghistory'which begaIl谢th tlle paintings on silkofN断ing Sates Period,then c锄e intothefasIlionofreligious paintillgs ofWd andJinDynasties,as well aSthego唱eous figurepaintings ofSuiand T觚g DynaSties,and铲adually fading uIltilthe endofMing introducing ofW宅stemmissionaries,to some extent,in theYear ofWanli ofMingDynas劬 secondly making more exotic nutrition aVailablefor仃aditional figure paintings, brou曲t apowedhlincemiVe toitsrefom andiluloV“onbyobjectiVe,With Zeng Jing of“Bo Chen School”aS themost typical on theChinese paintings, theportrait drawn by himemphasized thetecllIliquesadopted Chinese paintings. Besides,he asserted totaketheink linealldshading aS theskeletoll,absorbing tlle result of westem paintings, finally created his “concaVe·conVex method". His contribution not onlydeveloped thefigurepaintings with Chinesech撇cteristics,but alsointe黟ated realism into tllelaterfigurepaintings ofQing anicle t110ught tllat t、ribute to the fomlation ofZeng Jing style:the ration ofwestem—style painting and theinnuence ofChinese Zeng Jing’sponrait ischaracterizedby tecllllique innoVation position,aIld alsocausedaRenVard Qing Dynasty character portrait toestablish a new realismm孤mer,which hashad aprofound innuence. Key words: Zeng Jing Figure Painting BoChen School 目录目录摘要??????????????????????I ABSTRACT????????????????????..II 第一章绪论???????????????????..1 第二章曾鲸肖像画的形成因素??????????????..2 第一节“西画东渐”的影响??????????????..2 第二节对传统写真观的继承??????????????..4 第三章曾鲸的肖像画及创作???????????????.7 第一节技法创新??????????????????7 第二节经营置位?????
曾鲸肖像画的分析研究 来自淘豆网m.daumloan.com转载请标明出处.
