Style
His style was influenced by the more figurative painters Manet and Degas.
In the works of Toulouse-Lautrec can besulted in highly rhythmical compositions The extreme simplification in outline and movement and the use of large colour areas make his posters some of his most powerful works.
Poster style
Posters
Poster: Moulin Rouge - La Goulue. 1891
Les Ambassadeurs: Aristide Bruant. 1892
Poster: Le Divan Japonais. 1893. Chalk lithograph.
Poster: Jane Avril at the Jardin de Paris. 1893
Poster for Le Matin: Au Pied de léchafaud / At the Foot of the Scaffold. 1893
Bookbinding for Goya's Tauromaquia. 1894
Yvette Guilbert. Le photographe, Place pigeon, 9. 1894
La revue blanche (poster) 1895
Jane Avril. 1899. Colored Poster. 56 x 36 cm.
Qui, l'Ártisan Modern. Colored poster for Marty. 90 x 64 cm.
May Milton. 1895. Chalk lithograph. 81 x 64 cm. Free Library, Philadelphia, PA, USA.
May Belfort. 1895. Lithograph. 80 x 60 cm. Musée Toulouse-Lautrec, Albi, France.
Jane Avril. First plate in the Cafe-Concert series
free-flowing and expressive line
Gala at the Moulin Rouge. 1894. Lithograph. Musée Toulouse-Lautrec, Albi, France
His expressive and free-following lines
Jane Avril Dancing. c. 1891-92. Oil on cardboard. x 65 cm. Musée Toulouse-Lautrec, Albi, France.
Jane Avril. Back View. c. 1891-92. Oil on cardboard. 67 x 52 cm. Musée Toulouse-Lautrec, Albi, France.
Yvette Guilbert. 1895. Ceramic plate. 51 x 28 cm. Musée Toulouse-Lautrec, Albi, France
Alone. 1896
Selected Works Moulin Rouge nightclub
From 1884, he soon began to frequent the district‘s cabarets(夜总会), including the Elysee-Montmartre, the Moulin de la Galette and the Mirliton, where he displayed his works. In 1884, he also had his first exhibition at the Pau (a name of a city in France).
Au Cirque Fernando, l'écuyère/ At the Circus Fernando, Eqestrienne.
1887-88. Oil on canvas. x cm. The Art Institute of Chicago, Chicag
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