the architectonic experience of body and space in augmented interiors isabella pasqualini资料.pdf

该【the architectonic experience of body and space in augmented interiors isabella pasqualini资料 】是由【小舍儿】上传分享，文档一共【15】页，该文档可以免费在线阅读，需要了解更多关于【the architectonic experience of body and space in augmented interiors isabella pasqualini资料 】的内容，可以使用淘豆网的站内搜索功能，选择自己适合的文档，以下文字是截取该文章内的部分文字，如需要获得完整电子版，请下载此文档到您的设备，方便您编辑和打印。:..fpsyg-09-00375April6,2018Time:16:22#1ORIGINALRESEARCHpublished:10April2018doi:.00375TheArchitectonicExperienceofBodyandSpaceinAugmentedInteriorsIsabellaPasqualini1,2*,MariaLauraBlefari1,3,4,TejTadi1,AndreaSerino1,5?andOlafBlanke1,4,6?1LaboratoryofCognitiveNeuroscience,BrainMindInstitute,écolePolytechniqueFédéraledeLausanne,Geneva,Switzerland,2AtelierdelaConceptiondel’Espace,InstituteofArchitectureandtheCity,écolePolytechniqueFédéraledeLausanne,Lausanne,Switzerland,3De?techChairinBrain-MachineInterface,InstituteofBioengineering,écolePolytechniqueFédéraledeLausanne,Geneva,Switzerland,4CenterforNeuroprosthetics,écolePolytechniqueFédéraledeLausanne,Geneva,Switzerland,5DepartmentofPsychology,AlmaMaterStudiorum–UniversityofBologna,Bologna,Italy,6DepartmentofNeurology,GenevaUniversityHospital,Geneva,;Editedby:,spacesurroundingthebodycanbetestedexperimentallythroughthemanipulationofUniversityofPlymouth,UnitedKingdommultisensorystimulationandmeasuredviaarangeofbehaviorsrelatedtobodilyself-Reviewedby:?,mediatedviaavirtualbodyoravatarcandisrupttheuni?edsubjectiveexperienceofSapienzaUniversitàdiRoma,-bodyillusionparadigm,participantsfeelasiftheavatarIsadoraOlivé,UniversityofWesternOntario,Canadawastheirbody(ownership,self-identi?cation)andtheyshifttheircenterofawareness*Correspondence:towardthepositionoftheavatar(self-location).However,thein?uenceofnon-bodilyIsabellaPasqualinispatialcuesaroundthebodyonembodimentremainsunclear,anddataabouttheisabella.******@ep?.ch?impactofarchitectonicspaceonhumanperceptionandself-,:orasynchronousvisuotactilestrokestothebackoftheparticipantsandavatar,or,ThisarticlewassubmittedtoCognitiveScience,-identi?cationasectionofthejournalwiththeavatar,participantsreportedsensationsofcontainment,drift,,Received:27January2017Accepted:07March2018yet,inthelargespace,wefoundaneffectofcontinuitybetweenthephysicalandPublished:10April2018thevirtualinteriordependingonthefull-:parethefull-bodyillusioninaugmentedinteriorstoPasqualiniI,BlefariML,TadiT,(2018)TheArchitectonicExperienceofBodytheegocentric,?rst-::.00375Keywords:self-consciousness,bodyownership,embodiment,architecture,augmentedspaceFrontiersinPsychology|il2018|Volume9|Article375:..fpsyg-09-00375April6,2018Time:16:22#(Alberti,1450/1988;MarcusVitruviusPollio,2008)Architecturesheltersandconstrainsthedailyexperienceofour(seeBox2).?uenceofarchitectonicformstothebodilysensesevolvedasacentralofthearchitectonicenvelope,theWand,-wand(Semper,1860/2004).Intheattemptpositionwithmodules,thattounifythetheoriesofstylethroughtheassociationofis,walls,columns,vaultsandsoon,visualcueswereintroducedperceptionandform,arthistorianshaveoftenintroducedtoaugmenttheexperienceofcontinuityinphysicalspace(,AugustSchmarsowBox1).Forinstance,thestrivingtowardthee?ectofspatialunitymentionedasensationofspaceorRaumgefühl(Figure2C),canbeseenintheapplicationofcolor,textureorsculpturetothroughtheimmanentfeelingofthepresenceofthebodyarchitectonicinteriors,withtheaimtoelicitamoreelaboratedinspace(Schmarsow,1893/1994).ForHeinrichW?l?in,,howspatialsensations,suchasfeelingsofdepth,continuity,architectonicmood,aso-called‘kinesthetic’responseofthepresence,vertigo,containment,safetyorfamiliarity,canbebodytothestructuralelementsseenintheenvironment,or,associatedwithmeaningaswellasemotion,upiedvastinhiswords,Einfühlung,a‘feelinginto’‘kinesthetic’projectionthatexceededthepurelyretinale?ectsofwidelyclaimedthata?gurativeorabstractrepresentationofthevision(W?l?in,1886/1994)(Figures2A,B).These‘kinesthetic’reverberationsthatweremediatingbetweenthehumanbodyandaspectsofverticality,orientation,andsymmetryintheBOX1|,havebeenrelatedtoaminimalformdemonstrationsperformedinthe15thcenturybythearchitectFilippoofembodiment,thatis,sensorimotormechanismsofvisualBrunelleschiunveiledauni?edandembodiedviewpointinspacelinkedtoitsperception,namelyeye-orhead-movements(Pasqualiniandpictorialrepresentation,renderingtheperfectillusionofspaceat“one,andonepointonly”(ti,1480/1970;Lindberg,1976).LinearperspectivewasBlanke,2014).sincetheninusetoaugmentarchitectonicspacewiththesensationofOntheotherhand,phenomenologicaltheoryinarchitecturecontinuity(Alberti,1435/2011).ThearchitectandpainterLeonBattistaAlbertirelatesspatiale?ectsofembodimenttothe‘presence’ofpositionitself,abuilding(Norberg-Schulz,1980);toamultisensoryimageconsideringitsparticularrelationtoonespeci?cpointofviewinspace(Alberti,1450/1988).Thegradualevolutionofperspectiveanditsapplicationtothe(Neutra,1954;Pallasmaa,1996);or,toarchitectonic‘atmospheres’classicalmodulehasbeenseeminglymotivatedbytheidealofacontinuous(B?hme,2006;Zumthor,2006).Otherlinesoftheorybasedorin?nitespace,asthecentralconcernofRenaissanceart(Burckhardt,1868;onvisuospatialphenomenaincognitivescienceandGestaltArgan,1946;Wittkower,1953).Twofamousexamplesbythearchitecttheory,linkembodimenttovisuomotora?ordance(Gibson,DonatoBramanteillustratethedoublepurposeoflinearperspectiveto1979/1986;OztopandArbib,2002),or,?rstexampleisthepictorialaugmentationofthechancelatSantaMariapressoSanSatiro(Figure1);abodywithspatialcon?gurations(Arnheim,1977).A?ordancesecondone,theBelvederecourtyardsattheVatican,whereonlyfromoneanditsmultisensorydimensionbasedonbi-modalvisuomotorwindowofthe“Stanze”(pope’sapartment)plementedintegrationhavealsobeenrelatedto‘mirrorneurons’andmoregeometricallybythedesignofthegardens,intendedtoevokeafeelingofingeneralto‘mirror’-likeorresonancemechanismsinthebrainassociationbetweentheworldlyandthedivine(Vasari,1550/1986).(diPellegrinoetal.,1992;RizzolattiandCraighero,2004).ByFIGURE1|SantaMariapressoSanSatiro,Milan,?rstviewshowsthebuiltnaveintheforeground(pictureontheleft).Whenapproaching,thechancel’|il2018|Volume9|Article375:..fpsyg-09-00375April6,2018Time:16:22#|Architectonicembodimentand‘Einfühlung’.Thetheoriesofarchitectonicembodimentproposesincemillenniathatthroughthespeci?(Vitruvius,1stcenturyBC).,intheQuattrocentoAlbertievolvedthisideafurther,basedontheworkbyFilippoBrunelleschi,whostudiedthegeometricproportionsofthearchitectonicensembleanditsspatialeffectsonthehumanbodythroughlinearperspective(Alberti,1450/1988,seeBox1).Proposinganeverlasting‘Style’,thearchitectGottfriedSemperappliedtheanthropologicalapproachtothetheoryofparingthearchitectonicinteriormoduletoawovenclothoramoldedreceptacle(Semper,1860/2004).ThisideawasattherootsofadebateaboutEinfühlungattheturnofthe19thcentury,thatis,the‘sympathetictransposition’offeelingstoformasproposedbyHermannLotzeandRobertVischer(Figure2A)(Vischer,1872/1994;Lotze,1884).HeinrichW?lf?insuggestedanobserverinfrontofthearchitectonicmoduleresonatingthrougha‘kinesthetic’transpositioninthebodilymembers(Figure2B)(W?lf?in,1886/1994).pletelyimmersedwithinspace(Figure2C)(Schmarsow,1893/1994).Thecentralquestionofthesetheorieswasrelatedtothetransmissionofculturalideals,suchascontinuity(seeBox1).Inafamousquote,W?lf?inclaimedthattoseeanasymmetricbuildingevokesthesamefeelings“asifalimbwasmissing”(W?lf?in,1886/1994).Twodecadeslater,Einfühlungwastranslatedasempathy(Lipps,1903),meaningtheabilityofputtingoneselfintoanotherperson’sposition.‘mirror’-likemechanisms,werefertomultimodalareasinthebrainthatrespondnotonlywhenperformingamovement,butalsowhenobservingorhearingthesamemovement(Thilletal.,2013).Such‘mirror’-likeorresonancemechanismsgeneralizetoothersensorymodalities,suchassomatosensation(KeysersandGazzola,2009;Keysersetal.,2010),oremotion,including,forinstance,painprocessinganddisgust(al.,2006;Lammetal.,2011).Inthisrespect,ithasbeenproposedthatFIGURE2|(A)‘Sympathetictransposition’offeelingstowardformastheemotionalreactiontoartworksiselicitedbya‘mirror’-describedbyHermannLotzeandRobertVischer.(B)‘Kinesthetic’reverberationofarchitectonicforminsidethehumanbodyafterHeinrichlikeresponseofthebraintotherepresentationofvisuomotorW?lf?in.(C)An‘objecti?ed’perspectiveoftheobserverwithinspaceprocesses(FreedbergandGallese,2007).generatesa‘senseofSpace,’,insteadoftheperceptionofartworks,wefocusontheperceptionofarchitectonicspaces,theembodimente?ectextendstothesubjectivesensetoownabodyatapreciselocation,basedinteroceptive(Blankeetal.,2004;Gallagher,2005;Legrand,2006;,2010;Tsakiris,2010;Serinoetal.,2013,andphilosophy,thecontinuousanduni?edself-consciousPfei?eretal.,2014b).experienceofthebodyinspaceisconsideredaprerequisitetoTheexperienceofoneselfinspacethroughthebodyhasperceivetheexternalworld(James,1890/1950;Merleau-Ponty,beende?nedasbodilyself-consciousness(BlankeandMetzinger,1945/2002).Neuroscientistsdistinguishbetweenmultisensory2009).posedintheexperienceofrepresentationsofthespaceimmediatelysurroundingthebody,feelingone’sphysicalbodyasone’sown(bodyownershiporwherewecanphysicallyinteractwithexternalobjects–termedself-identi?cation),whilebeingataspeci?clocationinspaceperipersonalspace,fromthespacefurtherawayfromthebody–(self-location),andoffacingtheexternalworldfromauni?ed,termedextrapersonalspace,essibleonlythroughembodiedperspective(?rst-personperspective)(Blankeetal.,distantsenseslikevisionandaudition(GrüsserandLandis,2000,2002,2015;Blanke,2004,2012).Interestingly,bodilyself-1991;Rizzolattietal.,1997;GrazianoandCooke,2006;LadavasconsciousnesscanbedissociatedfromthephysicalbodythroughandSerino,2008).Undernormalcircumstances,theexperiencetheapplicationofvisuotactilecon?ictsbetweenthephysicalownofoneselfisthereforeboundtothatofone’sbodywithinbody(orbodyparts)andanarti?cialreplacementofit,suchperipersonalspace(.,Blankeetal.,2015).Authorsfromseveralasavirtualbody(orbodyparts)(BotvinickandCohen,1998;disciplinesconvergeonthefactthattheexperienceofoneEhrsson,2007;Lenggenhageretal.,2007,2009;Tsakirisetal.,selfinspacedependsontheintegrationofmultisensoryand2007;PetkovaandEhrsson,2008;Aspelletal.,2009;Slateretal.,sensorimotorinputsfromthebodyandtheperipersonalspace,2010;Tsakiris,2010).Forinstance,intheso-calledfull-bodythatis,visual,tactile,vestibular,proprioceptive,auditory,andillusion(for