动画艺术的审美分析-文艺学专业毕业论文.docx

the tragic and the tragedy and the creator has a sense of the tragedy, are irrefutably tell people animation art often be put on the face of tragedy. "Hunchback of Notre Dame" to the original "Hunchback of Notre Dame," the theme of promoting good and the beautiful deeper into humanity's struggle and resistance, in the fierce conflict in the character of a tragic sense of faintly heard. "Lion King" more to Shakespeare's famous tragedy "Hamlet" in the Characters in tragedy vividly the role of replacement done.
Chapter IV starting from the public to reveal the cultural context of the other faces the art animation - "Carnival." When the "Carnival" has e a unique world view and artistic way of thinking, the strength of popular culture as the representative of animation art, will inherit the "carnival" in the mantle, with a "carnival" characteristics. Animation art by surrealist fantasy and exaggeration of arbitrary deformation of the art techniques, demonstrated the value of the love of freedom and equality and respect; dare to challenge authority, no dogma, eager to change the spirit of renovation; on the earth's vitality is rooted praise and celebration of the life on the return of sensibility. No doubt you can see it and the spirit of carnival is a different connotation chose the same form, their spirit remains the same.
Keywords: Animation、 Nostalgia、Tragedy 、Carnival
IV
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从 1926 年,万氏兄弟拍摄的《大闹画室》算起,中国的影视动画已经走过了八十多个春秋。在这期间,中国动画曾在世界动画史上谱写了“中国动画学派”的辉煌历史,许多优秀作品如《大闹画室》《三个和尚》