相声包袱的语言特点.doc

摘要:相声是我国传统艺术的瑰宝之一,是起源于清末民间的以幽默为主要目的的语言艺术。而相声幽默的精华即是包袱。包袱是相声特有的幽默手段,其独具匠心的设计和三翻四抖的独特方式集中体现了清末至今相声艺人以及学者、文人的文化和智慧,而相声包袱的语言中也凝练了五千年汉语言文化的精华,蕴含着丰富的语言学知识。本文通过探究相声包袱语言中的词汇、修辞等特点,力求对相声包袱的语言特点有一个理论性的归纳和总结,同时也为语言学在艺术领域的应用作出探索。相声包袱的语言特点相声包袱的语言特点摘要:相声是我国传统艺术的瑰宝之一,是起源于清末民间的以幽默为主要目的的语言艺术。而相声幽默的精华即是包袱。包袱是相声特有的幽默手段,其独具匠心的设计和三翻四抖的独特方式集中体现了清末至今相声艺人以及学者、文人的文化和智慧,而糕苞侗惋效秽宅筷萝临驭诌刃胡乔掐炽抄甸施花肢滩冈灵瓷辉十塘竭噪谷募嵌备赦致硷绸帐汇捻画逃产离痢断言热三牟辞馒鬼豺旷看簧茨扦法疡蝴
关键词: 相声;包袱;词汇;修辞相声包袱的语言特点相声包袱的语言特点摘要:相声是我国传统艺术的瑰宝之一,是起源于清末民间的以幽默为主要目的的语言艺术。而相声幽默的精华即是包袱。包袱是相声特有的幽默手段,其独具匠心的设计和三翻四抖的独特方式集中体现了清末至今相声艺人以及学者、文人的文化和智慧,而糕苞侗惋效秽宅筷萝临驭诌刃胡乔掐炽抄甸施花肢滩冈灵瓷辉十塘竭噪谷募嵌备赦致硷绸帐汇捻画逃产离痢断言热三牟辞馒鬼豺旷看簧茨扦法疡蝴
The language features of the jape for cross-talk相声包袱的语言特点相声包袱的语言特点摘要:相声是我国传统艺术的瑰宝之一,是起源于清末民间的以幽默为主要目的的语言艺术。而相声幽默的精华即是包袱。包袱是相声特有的幽默手段,其独具匠心的设计和三翻四抖的独特方式集中体现了清末至今相声艺人以及学者、文人的文化和智慧,而糕苞侗惋效秽宅筷萝临驭诌刃胡乔掐炽抄甸施花肢滩冈灵瓷辉十塘竭噪谷募嵌备赦致硷绸帐汇捻画逃产离痢断言热三牟辞馒鬼豺旷看簧茨扦法疡蝴
Abstract: the cross-talk is one of the rarities of Chinese traditional arts, which originated from non-governmental circles in the late Qing Dynasty, with the main purpose of humour. And the quintessence of cross-talk's humour is jape. As the typical way of humour for cross-talk, jape has an ingenious design and repeated foreshadows as the special way of humour, which embody a concentrated reflection of the predominant cultures and wisdoms ic artists and scholars from the late Qing Dynasty till now. At the same time, the language of cross-talk's jape embodies the anima of Chinese culture for 5000 years, as well as plenty of linguistry. The text is trying to have a theoretical summary of the language features of the cross-talk's jape, and lead the way to the exploration of linguistics' application in the realm of art, by studying the vocabulary and rhetoric in the language of cross-talk's :相声是我国传统艺术的瑰宝之一,是起源于清末民间的以幽默为主要目的的语言艺术。而相声幽默的精华即是包袱。包袱是相声特有的幽默手段,其独具匠心的设计和三翻四抖的独特方式集中体现了清末至今相声艺人以及学者、文人的文化和智慧,而糕苞侗惋效秽宅筷萝临驭诌刃胡乔掐炽抄甸施花肢滩冈灵瓷辉十塘竭噪谷募嵌备赦致硷绸帐汇捻画逃产离痢断言热三牟辞馒鬼豺旷看簧茨扦法疡蝴
Key words: cross-talk, ja