埃及神的几何学.docx

埃及神的几何学
Rediscover Ancient Egypt
重新发现埃及
with Tehuti Research Foundation
特胡提研究基金会
Last Updated: 28-Mar-2003
最后更新:2003年三月28
Sacred Geometry in Ancient Egypt
埃及神的几何学
The Cosmic Geometry
宇宙几何学
Herodotus, the father of history and a native Greek, stated in 500 BCE:
(希腊的历史学家)希罗多德,历史之父和一位希腊本地人,出生于公年前500年:
Now, let me talk more of Egypt for it has a lot of admirable things and what one sees there is superior to any other country.
现在让我们更多地谈论埃及,由于它具有许多绝妙的东西而任何一个人所明白的就是比任何国家优越。
The Ancient Egyptian works, large or small, are admired by all, because they are proportionally harmonious and as such appeal to our inner as well as outer feelings. This harmonic design concept is popularly known as sacred geometry here all figures could be drawn or created using a straight line (not even necessarily a ruler) pass, . without measurement (dependent on proportion only). 
古埃及作品,大或小,被所有人羡慕,因为具有相匹配的和谐和诸如此类我们内在以及外在感觉的诉求。这和谐设计概念普遍为大家熟悉如神的几何学,在这里所有人物使用直线(甚至不需要直尺)和罗盘创造,也就是没有测量(只依靠比例)。
The principles of sacred geometry are of Ancient Egyptian origin, which constituted the basis of harmonic proportions, as evident in their temples, buildings, theology, ...etc. The Ancient Egyptian design followed these principles in well-detailed canons. Plato himself attested to the longevity of the Egyptian harmonic canon of proportion (sacred geometry), when he stated,
神的几何学原理是来自古埃及,古埃及制定了和谐比例的基础,如明显在他们的神庙、建筑物、神学等等。古埃及设计遵循这些原理有很详细的教条。(古希腊哲学家)柏拉图自己当他出生后检验了埃及和谐比例(神的几何学)教条的时间。
That the pictures and statues made ten thousand years ago, are in no one particular better or worse than what they now make.
一万年前制作的图画和雕像,并不比今天制造的有多少差别。
The key to divine harmonic proportion (sacred geometry) is the relationship between progression of growth and proportion. Harmonic proportion and progression are the essence of the created universe. It is consistent with nature around us. Nature around us follows this harmonious relationship. The natural progression follows a series that is popularized in the West as