contact the social status quo, the consolidated historical background as well as the human environment, this detailed analysis of the survey. Thinking about how better to better express the value of his work to the behavior of this unique art form. Performance es from life, from the lives of ordinary people, from contemporary society and therefore need to think about how to better express the most primitive emotional contact history of environmental and social issues of the moment expression, how to make better and public exchanges. The development of the arts requires the joint efforts of artists, society, and the public. Key words: performance art, marginal, public nature 目录 摘要................................................................I Abstract...........................................................II 第一章引言.........................................................2 一、选题背景....................................................2 二、研究方法和目的..............................................2 三、主要内容....................................................2 第二章行为艺术的产生与发展历程.....................................3 第三章行为艺术的发展过程中总结出的特征和存在意义...................6 第四章中国行为艺术边缘化问题分析..................................12 一、行为艺术的偏离现象.........................................12 (一)关于裸风盛行的极端表现...............................12 (二)关于血腥恐怖的极端表现...............................12 (三)关于荒谬怪异的极端表现...............................12 (四)关于挑战人性的极端表现...............................12 (五)关于行为艺术商业化现象...............................13 (六)作品的品质问题.......................................13 二、行为艺术发展的边缘化的原因.................................14 (一)行为艺术与社会主流文化的对抗.........................14 (二)行为艺术与群众接受性问题的思考.......................14 第五章中国行为艺术未来的发展......................................16 一、理念的发展方向.............................................16 (一)艺术的本真...........................................16 (二)独创需与唯美相结合...................................17 (三)环境艺术理念的持续倡导...............................17 二、行为艺术
