敦煌石窟壁画色彩分析-美术学专业毕业论文.docx

敦煌石窟壁画色彩研究
学科专业: 美术学 研究方向:中国花鸟画研究
指导教师: 李白玲教授 研究生:陈江晓
中文摘要
重彩画是中国传统绘画的重要组成部分,敦煌石窟是独一无二的重彩画资料库,敦煌壁画是举世无双的历代重彩画作品集,值得进行深入广泛的研究。绘制现代石窟是研究敦煌壁画的一种好方法,也是继承和发扬传统重彩画的一个新途径。
本文运用现代色彩理论分析敦煌壁画的色彩配置,研究现代洞窟壁画设色。从敦煌壁画的制作步骤入手,探讨敦煌壁画和现代洞窟壁画的地仗制作,胶结材料运用,颜料选用,色彩配置,以及设色技法等问题。
全文总体上分为两大部分: 第一部分,通过文献研究和报告分析,搞清地仗、胶结材料与壁画颜色的关系和颜
料本身的稳定性。这是现代石窟选择采用颜料和确保颜料充分发挥良好性能的关键。第二部分,运用现代设计学的色彩构成原理分析敦煌壁画目前呈现出的色彩配置规
律,研究其独特的设色技法,探讨如何将敦煌壁画的绘画传统和现代色彩构成理论运用
于现代石窟壁硒的绘制实践。
关键词:地仗胶结材料颜料色彩配置设色技法
A Study on the Color of Dunhuang Cave’S Mural S
Major:Aesthetics
Specialty:Skill and Technique in Chinese Flower—and—Bird Pal nti ng
Tutor:Prof。Li Bailing Postgraduate:Chen Jiangxiao
Abstract
Heavy—color painting is an ponent of traditional Chinese painting,a 1arge,precious,and unique coltection of which is to be found in the present Dunhuang caves that preserve many works of art from different and thorough study of the murals in this style will prove to be of great value to understanding and appreciation of traditionat heavy—color paintings as well as for recreation of heavy—color paintings in modern creation of modern caves with murals caves is an original approach to studying Dunhuang murals as well as a new method to preserve and develop valuable traditions in heavy—color painting.
The present thesis carries out thorough studies in the preparation of the cave’s wall,the selection of glue and pigments,and makes in—depth analyses in the color scheme of the Dunhuang murals in 1 ight of modern color theories to benefit the murals painting in modern caves。
The thesis consists of two parts.
Part one uses recent findings and researches on Dunhuang’s murals for a better understanding of the relation between wall,glue,and chemical properties of the pigments,especial ly those that have changed color or faded out from the Dunhuang caves are then is of utmost importance in choosing the right pigments for modern murals to have stable and lasting color