风景油画的本土化分析-美术学专业毕业论文.docx

摘 要
油画作为一种外来画种,在中国发展已经近百年。近观百年来油画的发展之路,从传入中国到与本民族传统文化艺术的碰撞、融合、创新,油画在中国经历了本土化的发展历程。如何将中国丰厚的传统文化底蕴和精神内涵融入油画的创作中,使油画成为具有民族特色的画种,一直是中国油画家们探索的重要课题。而风景油画(以下简称:风景画)因其与中国传统艺术在绘画题材、意境和审美趣味等方面存在诸多共通性,因此,风景画在油画本土化的发展过程中起着非常重要的作用。本文拟以风景画的本土化发展为主要线索,概述了百年来风景画的本土化历程以及影响风景画本土化发展的主要因素。风景画在新的历史情境下,在中西传统风景绘画基础上,呈现出进一步融合、创新和多元化的发展趋势。风景画本土化探索对于当代油画家有着重要的指导意义,对于大众审美取向的回归也起到了重要作用。
关键词:风景画传统文化本土化融合创新
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Abstract
Oil painting , as a kind of foreign painting , has been developed for almost one hundred years. Observing the road of the oil painting which has developed for one hundred years , it located in China after it impacted , mixed and innovated with the tradition culture . The important matter which Chinese oil painters explored is that how to put the Chinese traditional culture and spiritual content into the oil painting creation , that will make the oil painting ing a national characteristics painting. Landscape oil painting , which mon with Chinese tradition culture in drawing theme ,artistic conception , aesthetic interest and so on , is very important in the process of the oil painting location .
This article ,which proposes the main clues to the localization of the landscape oil painting ,outlines the process of the landscape oil painting in the past of the one hundred years and the main affected factors of the landscape oil painting .
In the new history situation and the base of the tradition landscape oil painting , it shows the trend of mixing , innovation and diversity . The location of the landscape oil painting will direct the contemporary oil painters , and it also play an important effect in the regress of the public aesthetic orientation.
Key words: the landscape oil painting traditional culture mix innovation
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本人所提交的学位论文《风景油画的本土化研究》,是在导师的指导下,独立进行研究工作所取得的原创性成果。除文中已经注明引用的内容外,本论文不包含任何其他个人或集体己经发表或撰写过的研究成果。对本文的研究做出重要贡献的个人和集体,均已在文中标明。
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