戏曲音乐剧研究——为当代戏曲发展需求一种可能.pdf

河南大学
硕士学位论文
戏曲音乐剧研究--为当代戏曲发展需求一种可能
姓名:谷小龙
申请学位级别:硕士
专业:艺术学
指导教师:张大新
2011-04
摘要
随着 21 世纪的到来,中国戏曲结束了它的古典时期,传统戏曲自身如何进入现代
化即如何寻找与新时代结合的途径问题就摆在了我们的面前。经历了由 20 世纪向 21 世
纪的变迁,戏曲在发展中越来越呈现出了举步维艰的景况,当西方的音乐剧进入到中国
市场的时候,给中国的传统戏曲发展带来了强烈的冲击。戏曲在发展过程中主动向音乐
剧靠拢,两者相互借鉴不断融合,于是冠以“戏曲音乐剧”名称的作品就在这样的时代
背景下逐渐走进了人们的视野,这些作品的出现是戏曲发展的一种跨界尝试。本文以“戏
曲音乐剧”这一新鲜的戏剧样态作为考察对象,旨在探寻出一条戏曲固本求新的现代化
发展之路,为中国当代的戏曲发展提供一种可能。
本文主要从以下四个部分来进行论述:
第一部分:中国当代戏曲发展的现实境遇。主要探讨戏曲在当前的时代背景下所遭
遇的发展困境。
第二部分:戏曲音乐剧产生的背景与原因。
第三部分:戏曲音乐剧创作初探。这一部分是本文中最具实践精神的论述,在关注
和分析大量作品的基础之上,对戏曲音乐剧的创作提出一些可付诸实践的方法。
第四部分:戏曲音乐剧创作的现状与前景。主要探讨当前在戏曲音乐剧创作领域存
在的一些问题,以及对于未来发展方向的展望。

关键词:戏曲音乐剧,现代化,创作,发展
IV
ABSTRACT
With the arrival of the 21st century, China opera ends its classical period. Traditional opera itself: how
to find and how to enter modern ways bining with new ear es the problem before us.
Experience from the 20th century to the change in the 21st century, opera in its developing ways show
more and more difficulties. When western musical entered the China market, it brought intense impact to
Chinese traditional opera development. Opera was moving actively to musical in its development process.
Both of them mutual reference and constantly fusion, so which was named “Opera Musical” in such works
under the background was gradually into the people’s perspective. The appearance of these works was the
cross-border attempt of the opera development. This article by “Opera Musical” this fresh drama shape as
the inspection object, aims to explore an opera for new modernization in favor of the road of development,
to provide a possibility of the development of the contemporary China opera.
This article discussed mainly from the following four parts:
Part 1: The reality situation of development of contemporary China opera. Mainly discusses the
background of the current opera encountered dilemma of developing.
Part 2: The background and reasons of Opera Musical produce.
Part 3: The cre