Michelangelostrength,beautyandsorrowThroughouttheMiddleAges,painterswereconsideredskilledcraftsworkersonalevelwithgoldsmiths,carpenters,–16thcentury,incontrast,Michelangelocouldclaimthat“inItalygreatprincesassucharenotheldinhonororrenown;itisapainterthattheycalldivine.”Fromanonymouscraftsworkerstodivinelytalentedindividualsmorehonoredandrenownedthanprinces—whathadhappened?RenaissancehumanistsheldthathumankindwasnotworthlessintheeyesofGod,,humankindwasGod’’sgifts,proofofhumankind’sinherent(与生俱来的)’sobligation(义务)toGodwasnottotrembleandsubmitbut,rather,tosoar,strivingtorealizetheirfullintellectualandcreativepotential.(奋发向上,努力实现自己全部的智力和创造潜能)First,-stateswaswealthy,independent,petitive,,alsoanimportantpatronofthearts,,,ItalianshadlonglivedamidtheruinsofancientRome,,sculpture,andarchitectureasintellectualactivitiesalliedwithmathematics,science,,butlearnedpersonswhosecreativepowerswereviewedasalmostmiraculous(不可思议的).Thegreatestartistswereconsideredabreedapart(与众不同的人),“Renaissanceman”isappliedtosomeonewhoisverywellinformedabout,orverygoodatdoing,manydifferent,-of-all-trades(通才).Michelangelowasapainter,sculptor,poet,,inventor,sculptor,architect,engineer,scientist,musician,andall-,plishmentssee
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