贝多芬《降E大调第五钢琴协奏曲》若干演奏版本比较研究.pdf

天津音乐学院
硕士学位论文
贝多芬《降E大调第五钢琴协奏曲》若干演奏版本比较研究
姓名:曹宙
申请学位级别:硕士
专业:音乐学
指导教师:李洪梅;张蓓荔
20081128
内容提要

本文选取了由阿图尔·施纳贝尔、米开朗杰里、格伦·古尔德等七位著名钢
琴家所演奏的贝多芬《降 E 大调第五钢琴协奏曲》的音像资料,进行演奏版本
的比较研究。
首先,笔者在第一章中对这部作品的创作背景和作品本身做了简单的介绍和
分析,并对其风格与演奏技术特点加以总结。第二章的内容是对所选版本以钢琴
演奏学派划分,分别给予介绍。这其中包括了各个学派的阐述,演奏者、指挥家
以及乐团的简介,还包括一些录音公司的背景资讯等等一系列详实的资料,力图
做到使读者对各个版本的来龙去脉一目了然。在第三章中,笔者结合本人的切身
演奏与学习经验,从录音技术与录音效果、风格特征与美学观点以及演奏技术与
音乐处理三个方面进行总体的横向比较研究,并加以总结。
贝多芬《降 E 大调第五钢琴协奏曲》是一部大家耳熟能详的作品。笔者希
望通过对所选演奏版本系统的比较研究,为后来的演奏者及学习者提供一定的参
考和经验。

关键词:贝多芬钢琴协奏曲版本比较钢琴学派风格特征
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Abstract

This article has been selected by Arthur Schnabel, Michelangeli, Glenn Gould,
and other seven well-known pianist by playing Beethoven's "Fifth E flat major Piano
Concerto," the audio-visual information, concert Version of parative study.
First of all, the author of the first chapter of the book's background and creative
works themselves have done a brief introduction and analysis, and its style concert
with the technical features to sum up. The second chapter is a version of the selected
schools to play the piano division, were introduced to give. This includes the various
schools of thought on that player, conductor and the orchestra's profile, but also
recording some of pany's background information, and so on a series of
detailed information, trying to make sure that readers of various versions of the
circumstances surrounding a glance. In the third chapter, the author himself
combination of the vital play and learning experiences, from the sound recording
technology and recording results, characteristics of style and aesthetic point of view
recital, as well as music and technology to deal with three aspects of the overall
comparison of the study and sum up.
Beethoven's "Fifth E flat major Piano Concerto," is a familiar work. I hope that
through the concert version of System chosen for parative study for the
subsequent performance of learners and to provide a refer