“跨界”对书籍设计的影响.pdf

摘要纪已降,设计领域已出现了全新气象——“。新世地域、专业分工的不同而展现出一种纷繁复杂的跨越与融合状态,其潜力和能量有待我们共同发掘。“跨界梢运凳侨魏我桓鲂幸捣⒄沟揭欢ń锥蔚谋厝谎≡瘛T原有知识和资源被充分发掘和利用之后,跨界自然成为推动设计业创新发展的必由之路。另一方面,在社会进步、阶层分异、亚文化崛起等因素的驱动下,消费市场的边界同样越来越趋于模糊,这也为设计的跨界融合提供了良好的土壤近年来,传统的平面设计的界限正在模糊:对于书籍设计的影响自然不在话下。随着大众文化消费的不断提高,对书籍设计的多元化需求亦不断增强。这正是当今书籍设计中“跨界窒蟮钠趸破了书籍“铅字文化”固有形态的束缚,对书籍旧有的存在方式是一个无可逃避的冲击。在书籍设计界,“跨界姆绞交婪⒊隽舜呈籍领域的新生。将“跨界缍允榧杓频挠跋焯岢觯窍肫羰净蛟な靖嗟可能性,探索设计新思维,倡导设计应该是多色调的,多元性的。关注当下设计的转变,打破门类界限,寻找书籍设计更大的发展空间。本论文总从六个章节来论述:第一章首先是对“跨界”的相关阐述,对“跨界’’在多领域的呈
现进行了简要的陈述,并指出“跨界”将是当代艺术的发展趋势。第二章从四个方向概况了“跨界谋硐痔卣鳌5谌略蚴谴有旅教濉新科技、新观念、新思维、新材料、新工艺、新互动、新合作等多个不同的角度分析了书籍设计中的“跨界’’现象,并以许多具体作品来配合阐述本章节。第四章举了四位书籍设计中“跨界牡浞度宋铮进行了分析。第五章是由“跨界⒌囊恍┧伎肌W詈笠徽陆谡望了书籍设计的未来。书籍设计“跨界”其实只是一个简单的观念,却有很深的哲理,值得我们细细思考翱缃纭辈唤鼋鍪且恢至榛钣智擅畹闹腔郏故一种奉献和超越的境界。关键词:书籍设计,跨界,多元,融合、:,.’:●一●::.
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目录第一章“跨界南喙夭觥ぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁ第一节定义·········································第二节跨界在多领域的呈现···························第三节跨界是当代艺术的发展趋势·····················第二章书籍设计中“跨界”的表现特征·····················第一节跨文化交流···································第二节跨地域沟通···································第三节跨时代整合···································第四节跨专业合作···································第三章书籍设计中“跨界”的现象分析·····················第一节新媒体、高科技的介入·························一电子书·······································二有声书·······································三手机图书·····································第二节新观念、新思维的表达··························一艺术家书籍···································二概念书籍·····································第三节新材料、新技术的涌现·························一传统纸张的魅力·······························
第一节从不妥协的自我阐释——伊玛·布···············民族精神的发扬传承——吕敬人、张志伟·········第三节设计拓展的社会能量——李德庚·················二多元媒材的用武之地···························三形态的多元化·································第四节新互动、新合作的提倡·························一参与性·······································二交叉性·······································第四章书籍设计中“跨界牡浞毒倮ぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁ第二节第五章书籍设计中“跨界”引发的思考