狂怪不经散僧入圣-杨维桢行、草书再认识.pdf

南京艺术学院
硕士学位论文
狂怪不经散僧入圣-杨维桢行、草书再认识
姓名:边学兵
申请学位级别:硕士
专业:美术学
指导教师:黄惇
2011-05-18
内容摘要

本文主要采用文献法和作品分析法,在广泛搜集杨维桢书法作品和相关文献
研究的基础上,从杨维桢所处的时代背景出发,梳理了杨维桢的文艺观;追溯了
杨维桢行、草书的取法渊源;从用笔、结字、章法诸方面解析了杨维桢行、草书
作品的风格特征;分析了明、清以来学者对杨维桢行、草书的评价及其在书法史
上的地位,并对今人关于杨维桢书法的认识作了较为客观地剖析。本研究的主要
结论是:杨维桢行、草书作品表面的“狂怪不经”,正彰显的是其不羁的个性和
高旷的才情。从而认为王世贞所评的“散僧入圣”之语是对杨维桢行、草书的肯
綮之论。这一结论既是对杨维桢书法风格成因及作品特征的再认识,更是对其在
中国书法史上地位的再认识。


关键词: 杨维桢行、草书再认识




















III
Abstract
This paper mainly adopts literature review and Works analysis method. Based
on widely collecting the YangWeiZhen’s calligraphy works and related literature
research on him , the author summarizes YangWeiZhen’s artistic views and fully
considers the background of the times, traces the origin of models which Yang learned
from; induces the characteristic of Yang’s running and cursive script ,that is “stipple
disorder, galloping on length and breadth, self expression, aspersing temperament and
outstanding”. On the same time, the author analysises scholars’ evaluation on Yang’s
running and cursive script since Ming and Qing dynasties and Yang’s position in the
history of Chinese calligraphy, objectively analysises today’s scholars’ understanding
about Yang’s calligraphy. The main conclusion of this study is: seemingly, Yang’s
calligraphy work is really weirdness; essentially, it shows his rebel personality and
great artistic talent. Consequently, the author thinks that wangshizhen’s view of “an
undisciplined monk es a saint” is an affirmation. This conclusion not only is
reconsideration on the origin and characteristics of Yang’s calligraphy style, but also is
reconsideration on his position in the history of Chinese calligraphy.

Keywords: YangWeiZhen running and cursive script reconsideration















IV
杨维桢画像











—据明·吴伟《铁笛图》 × 上海博物馆藏
南京艺术学院硕士学位论文
绪论