昆曲《牡丹亭》音乐研究——兼谈青春版《牡丹亭》.pdf

天津音乐学院
硕士学位论文
昆曲《牡丹亭》音乐研究——兼谈青春版《牡丹亭》
姓名:李砚
申请学位级别:硕士
专业:音乐学
指导教师:钱国桢
20071109
中文摘要
昆曲历史悠久,影响深远,它有着独特渊厚的美学传统和独具神韵的东方
风格,使其数百年来历经沧桑而始终对于人们具有永恒的魅力。《牡丹亭》上承
“西厢”,下启“红楼”,是中国浪漫主义文学传统中一座巍巍高峰。其瑰丽的
爱情传奇,以雅典唯美的昆曲来演绎,相得益彰,四百多年来不绝于舞台。
2001 年,昆曲被联合国教科文组织列为首批“人类口头和非物质文化遗产
代表作”。2004 年,由台湾著名学者白先勇先生制作,两岸三地艺术家携手打造
的青春版《牡丹亭》在全国范围内的上演,更带给这门古老的艺术以青春的喜
悦和生命。
本论文以昆曲《牡丹亭》为切入点,对其进行更深层次的音乐分析和音乐
本体的研究。全文共分为三章:第一章是对昆曲形成发展史的回顾;第二章是
《牡丹亭》的艺术分析,是全文的重点,首先是对汤显祖的生平简介以及对其
《牡丹亭》创作理念的分析,然后从剧情、人物形象概述、主要矛盾分析入手,
并选取了《游园》、《惊梦》、《拾画·叫画》三出成套唱腔,对其进行音乐本体
的分析和研究,得出南昆风格戏曲唱腔的特点;第三章是对青春版《牡丹亭》
艺术成就及影响的总结,希望能够对昆曲的保存和发展有一定的助益。
关键词:昆曲牡丹亭主腔变化形态青春版








III
Abstract
The Kunqu opera has a glorious history, and affects profoundly. It has the unique
and deep esthetics tradition and the special verve as Eastern style. It has the eternal
charm though so many changes and vicissitudes for several hundreds pared
with Western Chamber and The Dream of Red Mansion, Peony Pavilion is up to a
summit in the Chinese romanticism literature tradition. Their wonderful love legends
performed by the elegant and beautiful Kunqu opera, a perfect couple, flourish on the
stage for more than 400 years.
In 2001, the Kunqu opera is listed first as “the human oral and the non-material
cultural heritage representative works” by United Nations Educational, Scientific and
anization. In 2004, Mr. Bai Xianyong wrote the youth version Peony
Pavilion, es from Taiwan. And then the artists from mainland, Hong Kong
and Taiwan join this youth version which played on the stage throughout the whole
country. It brings joy and life as youth to the old art.
The paper takes the Kunqu opera Peony Pavilion as a breakthrough point, does the
deeper music analysis and music main part research. The full text divides into three
chapters. First chapter reviews the formation and development of the Kunqu opera.
Second chapter is the artistic analysis of Peony Pavilion, which is the k