THEHAIRYAPEMembers:王慧杰张安澜苗茜茜马艳朱佳楠TeamTopicsforDiscussionWriter&backgroundPlotCharacteranalysisWritingtechniquesThemesEugeneO'Neil(1888-1953)essfullyintroducedtheEuropeantheatricaltrendsofrealism,naturalism,,Nietzscheshouted“Godisdead”thatmeanthumanbeingslosttheirabsolutevalue,,man’’,despitelargedifferencesintheirpositions,generallyfocusedontheconditionofhumanexistence,andanindividual’semotions,actions,responsibilities,andthoughts,,theherooftheplay,,,whenthefraildaughterofanindustrialistinthesteelbusinesscallshimasa"filthybeast",,onlytofindhedoesnotbelonganywhere—neitherwiththeclassonFifthAvenue,,tryingtoseekasenseofbelongingwiththegorillainthezooanddiesintheanimal'(exposition)Scene2(risingaction)Scene3&4(climax)Scene5(fallingaction)Scene6(fallingaction)Scene7(fallingaction)Scene8(denouement)RobertSmith/BobSmith/YankHeiskindofauthorityamongthefiremen.“heseemsbroader,fiercer,moretruculent,morepowerful,—,too,herepresentstothemaself-expression,theverylastwordinwhattheyare,theirmosthighlydevelopedindividual”(p301).—whe
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