中文摘要本文以唐诗中的一千六百余首琴诗为研究对象,从音乐文献学的角度对唐诗中的古琴艺术进行探讨。绪论部分主要阐述本文的研究目的、理论及实际意义,对有关本课题的国内相关研究成果作一回顾和概述,并阐述本文的研究对象、范围与研究方法;第一章主要阐述琴诗中所传递的关于唐代琴器各方面的信息,如关于琴材的选择、琴徽、琴轸、琴荐的种类以及材质、藏琴等;第二章对琴诗中所记录的琴曲进行梳理和考证,对唐代所留存和流传的琴曲作一系统概述;第三章对琴诗中所记载的弹琴者进行考述,并将弹琴者按身份分为五类,即专业琴家、文人琴人、僧道琴人、隐逸琴人、其他身份的弹琴者,并阐述他们对唐代琴乐所产生的影响;第四章对琴诗中所记载的弹琴指法等进行了整理。本文通过整理和分析唐诗中的琴乐资料,力求从中获得较为可靠的史料,真实呈现唐代古琴艺术的方方面面,从而准确地把握唐代古琴艺术的发展。【关键词】唐代唐诗古琴艺术 ABSTRACT Inthisthesis,we choose thepoems about ancient Chinese harp (Guqin)as themainobject,discuss the artofancient Chinese harp(Guqin) inTang Poetry based on thedocuments ofmusic. Intheintroduction,the research purpose,object,area and method, theory andpractice significance ofthispaper areintroduced,the overview of current progress inrelated studies isalso 1is focused on theinformation invarious aspects about ancient Chinese harp (Guqin)of theTang Dynasty from thepoems about ancient Chinese harp (Guqin),such as theinformation about the selection of musical instruments,variety and materialof themarks(phoneme symbol ofthe strings),pegs(columellas thatsecuring the strings and regulating their tension) 2combs and examines the tunes which are played by theancient Chinese harp(Guqin)and recorded inthepoems about ancient Chinese harp(Guqin),then gives asystematic general outline and analysis ofthetunes played by the ancient Chinese harp (Guqin)in the Tang 3 checks the players that are recorded inthepoems about ancient Chinese harp(Guqin),and classifies them into fivecategories according totheirstatus:professional player, literaryintelligentsia,Buddhist and Taoists,hermit,and people ofother status,finallyexpounds theireffects on he ancient Chinese harp(Guqin) music oftheTang 4summarizes thefingering and ete. This articleattempts tofaithfully represent thediverse aspects ofthe art of ancient Chinese harp(Guqin)in Tang Poetry and grasps the development trend ofancient Chinese harp(Guqin)in theTang Dynasty accurately. Key Wor
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