好莱坞吸血鬼电影的研究吸血鬼荧幕形象的建构与解析.pdf

Classified Index: University Code: 10075
: NO: 20100856



A Dissertation for the Degree of M. Arts


Study on Hollywood's Vampire Film
——Construction and Analysis of the Vampire's
Screen Images







Candidate: Gao Yuanxue
Supervisor: Prof. He Zhipu
Academic Degree Applied for: Master Degree of Arts
Speciality: Arts
University:Hebei University
Date of Oral Examination: May,2013
摘要
摘要
世界上任何一个国家都能找到与吸血鬼有关的神话传说,它与生俱来的神秘魔力
让这个黑夜生物充满吸引力,它不但是宗教文化的产物同时也是文学作品所热衷塑造
的文学形象。1921 年,世界第一部吸血鬼电影《诺斯费拉图》将吸血鬼从荒凉的古堡
带到了人类艺术的舞台开始,艺术家们对吸血鬼形象的探索乐此不疲。
好莱坞早期的吸血鬼电影是以恐怖题材为主,以《德库拉》为代表吸血鬼形象的
建构围绕制造恐怖气氛进行造型。这部作品不但成功塑造出荧幕的怪物明星,还为吸
血鬼形象的建构奠定了造型基础。伴随着社会文化历史进程的前进,电影艺术蓬勃发
展,吸血鬼电影在九十年代初开始了多元化的尝试,它并不仅仅作为恐怖消解的工具,
承担起人类心灵的代言者。直至《暮光之城》问世真正让吸血鬼成为万众瞩目的焦点,
它成为一种文化形象被推向大众文化的中心地带。好莱坞在不同时期对吸血鬼形象的
建构背后隐藏着深刻的文化内涵与时代意义。
本文通过对吸血鬼文化、电影的梳理,对吸血鬼形象进行系统化的定位与分析,
深入挖掘电影的文化内涵,结合时代文化历史背景,对吸血鬼形象背后的隐喻世界进
行深刻剖析。通过哲学视角透视吸血鬼生存的尴尬与无奈,揭示其形象符号背后人类
情感的审视及对道德规范的反思。透过精神分析的视角探索吸血鬼内心的矛盾与纠结
及其影射出人在现实的挣扎与精神的渴求。

关键词:吸血鬼形象文化建构解析
I
Abstract
Abstract
Any country in the world can find about vampire myths and legends, its inherent
mystery magic appeal for the night life, it is not only a product of religious culture and
literature into literature image of the shape. In 1921, the world the first vampire film
《Nosferatu》 will be the vampire from the desolate castle to the stage of human art, artists
exploration of the vampire image.
Early vampire movies in Hollywood horror theme is given priority to, in order to
《Dracula》 to construct the image of the vampire around terror atmosphere model. This
work not only essfully create a monster star screen, also laid the foundation modelling
for vampire image construction. Along with social and cultural history, film art boom,
vampire movie began in the early y s diverse attempt, it not just as a terrorist resolution
tool, take the human mind televsion. Until the release of《Twilight》 real v