试论歌曲演唱的二度创作泥溪镇小: 谭中华目录摘要···························································································· 1 关键词···························································································· 1 一、歌曲演唱二度创作的前提··························································· 2 (一) 歌唱者应具有较高的音乐理论修养和文化知识···················· 2 (二) 歌唱者应该具有熟练、超群的歌唱技巧······························ 2 (三) 歌唱者应具有丰富的生活阅历和社会实践经验···················· 3 二、歌曲演唱二度创作的重要性···························································· 3 (一)二度创作可以提高歌唱者自身的音乐素养··························· 3 (二)二度创作是促进音乐发展和传播声乐作品的辅助手段·········· 3 (三)二度创作是声乐演唱中表现美的动力源泉··························· 4 三、歌曲演唱二度创作的个性特点···················································· 4 四、歌曲演唱二度创作的原则··························································· 4 (一)尊重原作的基调和表演者的个性········································ 4 (二)表现力与歌唱技术的辩证统一············································ 4 (三)声乐表现的真实性和创造力的和谐统一······························ 5 (四)统一的时代性和历史性······················································ 5 五、歌曲演唱二度创作的顺序··························································· 5 (一)熟悉作品·········································································· 5 1 、分析歌曲的时代特征和民族风格········································ 5 2 、仔细地阅读歌词······························································· 5 3 、熟读作品的曲谱然后唱熟曲调········································
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