从傅抱石山水画《平沙落雁》与古琴曲《平沙落雁》的共同点分析山水画的音乐性.pdf

论文题目：从傅抱石山水画《平沙落雁》与古琴曲《平沙落
雁》的共同点分析山水画的音乐性
专 业：美术学
硕 士 生：王 源
指导教师：王保安 教授


摘 要

绘画和音乐是否具有共性，或者说是否彼此衍生、彼此影响的呢，这一点
可能无法从科学的角度来证明。但以现今我们对音乐和绘画的历史发展脉络进
行的一些梳理，起码可以证明一点，无论二者是否存在彼此衍生的可能，音乐
与绘画都作为一个相对独立的艺术种类，在某一种情况下肯定会发生相互之间
的影响。绘画和音乐所产生的美，一个是视觉的，一个是听觉的，但是它们所
反映在欣赏者大脑中的却是相同的美。
本文第一、第二章将通过对傅抱石山水画《平沙落雁》和古琴曲《平沙落
雁》两者创作背景、创作内涵加以分析，研究二者之间所存在的共同之处。第
三章则在前文的基础上继续探求音乐与绘画的相似之处是否仅仅存在于表达作
者的内心世界。第四章将引用三首音乐作品与三幅山水画作品之间的对比结果
来阐述音乐与山水画之间所存在的结构、技法及表现形式上的共同点以及音乐
作品能否在山水画创作过程中产生一些影响。从而证明绘画与音乐并非界限分
明的两种艺术门类。绘画具有音乐性，音乐也具有绘画性。

关键词：山水画 音乐 情感 表现形式 共同点

研究类型：理论研究



I
Subject:Analysing the landscape painting’s musical
characters from the common points between a
piece of lyre music <Ping sha luo yan> and Baoshi
Fu’s <Ping sha luo yan>

Specalty: Fine Arts
Name: Yuan Wang
Instructor: Baoan Wang Professor

Summary

Is it true that paintings and music have similarities or are they affecting one
other? From the scientific point of view, the answer would be ambiguous and not
testified. However, through the analysis of the history of music and paintings, there
still are some evidences showing that in some situations these two are definitely
influencing each other, each being an individual. They both bring people the same
beauty but via different passages, one is visual, the other is hearing.
In this essay, the first two parts are going to analyze the background and the
intensions of the painting <ping sha luo yan> and guqin piece <Ping sha luo yan>.
Also in these two parts, the common characters of the two artistic creations will be
indicated. The third part in this essay will develop the idea which is whether the
similarity of paintings and music are only appearing in the author’s mind or not. The
fourth part is going to compare three different pain