论王朔作品创作的转型.pdf

中文摘要王朔从上世纪80年代中期崛起,继而大红大紫,在短短的十几年间如飓风一次又一次地横掠中国文坛,制造了一个几乎家喻户晓的个人成功的“个案”。从 1999年以后王朔小说创作进入低迷的时期,不再进行以前类似作坊式的批量生产,就其结果来看并没有造成王朔所期待的轰动效应,但是他为创作转型,尤其是作家自觉的转型付出的努力还是非常值得尊敬的。王朔在小说创作上的转型主要体现在文化转型、顽主形象的变化与消失和语言上的变化。文化上的转型,即对“精英’’的解构与重建,也就是小说内容的由早期的颠覆一切、亵渎一切转变为后来的回归经典,体现了作家创作意识的变化过程;顽主形象的变化和顽主形象在王朔小说中的消失过程体现了王朔对于通俗文学的认识发生了变化,从而迈出了创作转型过程中关键性的一步; 王朔小说语言方面的前后变化,即由早期的调侃式语言向严肃文字的转变,体现了作家由创作通俗文学转变为创作经典文学过程中在语言文字方面寻求的突破。虽然王朔在小说创作转型上并没有获得预期的成功与轰动,但总之王朔的作品仍是会受到文坛和读者的期待。关键词:王朔创作转型痞子 Abstract Wang Shuo became afamous writer inmiddle liked ahurricane in Chinese 1iterary circles inmore than ten made him a essful in999,Wang Shuo’S novel entered也e overcastperiod, no longer carrying on thebatch quantity thatissimilar tothe workshop type to produce,its resultdidn’tmeet theexpect ofreaders,but he仃ansformed forthewriting characteristic,it iSveryrespectable. This articleanalysesWang Shuo’Stransformsfromtheculture,thechange ofthe image ofdiehard,and thechange ofthelanguage characteristics. The preface part generalized the background andprocess ofWang Shuo’S writing,thus furtheranalyticalWang Shuo’S novel creationchange-the way ofthe transformation ofcreation—namely from thepopular writer,his creations purpose from writing formarket to writeforthe oneself. The textdivides threeparts:the firstpart main analysisWang Shuo’S change in his novel creation—the transformation oftheculture,namely tothe solution and reconstructions of’elite”,is alsothe novel contents from theupset of theearlier period,besmirching thewhole changes inorder toreturn tothe classicafterwards, symbolizing thewriter createsthevariety process oftheconsciousness;111e second partmainly discussed themain image variety,disappeared process ofthebigot’S characteristics,bigot’S main image valueandchanges anddisappearance ofbigot’S image,from disappearance ofthebigot’S,we can see Wang Shuo’S change inhis knowing on popular literature,a key step forward in hischange of writing characteristics;Th