唐妓和晚唐诗歌创作.pdf

中文提要/;tHe,享乐之风盛行,脚代歌妓(以r简称“j,If&是”)作为jh"也的我{奉,’j脚代诗人交往频繁。本文把唐妓与诗人放在狎妓之风进一步强化的晚脚时Jnj,二l=要考察脚妓在与诗人的交往过程中通过不同的途径对晚唐诗歌创作所产生的影响。个文主休分为再部分: 第一章唐妓略说通过对“妓”及jE它};Ij称的追本溯源W以看m,“妓”主要是指以舞乐娱人为生的女子,唐妓亦然。与前代妓人棚比,胁妓已经发展成一个颇贝规模的社会群体,H早现Ilj分布广、人数多、综合素质高笆特点。第二章唐妓与晚唐诗歌创作题材晚脚重要诗人人多纵情狭邪之游,歌妓为人量描写女性形象和男女恋情的诗作提供了生活原拟和创作素材。。诗人的心态也发生了转变:他们醉心丁做风月l|1的摘场人物:;歌卿荚妓flI安顿心灵;彳『意向荧景花颜r11 寻求创作灵感:用心与歌妓进行心灵沟通。这种心态会影响到他们的刨作心理,转移他们的创作兴趣,令他们在创作时更偏爱绮艳题材。,¨i导往腑代极为_fi{},、七言律诗或绝匍。鉴丁:|罱效果,诗人iU予实现诗歌价值的目的,对五、七言律绝投入了极人的创作热情,促使这~诗歌体式在晚唐达到创作高潮。筇四章脚妓与晚"f诗歌的艺术风格腓代{f;}i,僻侈·≯‘.Jl 这一风尚在晚脯愈演愈烈。脚妓作为卢也的载体,.oi掘了晚脚诗人!l三活的重要部分,她们或通过影响诗人的创作,,使晚j藩诗歌早现出绮丽的士体风格。第五章脚妓创作的总体观照歌妓址晚_ltIf女性i学坛的-_11要刨作群体。从现存脚妓诗瞅来看,她 1i'J;Sc多Jlj五、七言律绝表达白己的情爱休聆及r11此而,托生的怨别相思,形成了凄婉哀怨的风格。如此一来,歌妓就从题材选择、体式选川及i寺炎风格I..!j晚伊}诗歌的整体风貌保持了一致,从而以自己彤J仓0f1:iI于』越厂晚硝}i'i-.t‘。关键词:庙妓诗人文:l:晚唐诗歌刨怍创作题材 i导歌体式艺术风格 Abstract The Tang Dynasty leads fort thewind tobeinvogue,the Tang Dynasty song prostiluln (hereafter referstoas”theTang prostitute”)to takethedemeanor thecarrier,associates frequently with the Tang Dynasty articleplaces Tang andthepoet sports withprostitutes thelateTang time which thewind furtherstrengthens,inspecls Tang inantipod's contact prncess through thedifferentway tothe lateTang poetry creation full textaltogether divides inlofiveparts: Firstchapter Tang said slightly through and other allemate names races tothe source to”the prostitute”to bepossible tosee,”theprostitute”mainly refersby thedance happy amusement artificial flesh pares with thefirstgeneration ofprostitote person,the Tang altemate name has the increase,also presents distributes,the population broadly are many,prehensive quality higher characteristic+ Second chapter Tang andswimming ofthelateTang poetry creation theme lateTang important poet mostly to one。s heart’s content narrow streets and winding alleys,the song prostitute for massively described thefeminin