中文摘要石涛,三百年来,特别是现代,一直是中国绘画史上的一位热点人物。他的确有资格成为经久不衰的热门人物,而决不是风云一时的时髦人物。这不仅是他以丰富而新奇的作品震撼了古今的读者;更重要的是,他以一部《画语录》所显示的美学内涵,吸引了代不乏人的热衷者。作品有赖于画家驾驭笔墨,作有机的组合才能成功。石涛强调的“墨之溅笔也以灵,笔之运墨也以神”,就是反对把笔墨浅薄的理解为只是形象的轮廓勾勒。笔墨的有“神”有“灵”就是体现“一画”真谛的关键所在。而“灵”合“神”的取得,石涛认为全赖画家对“生活”和“蒙养”的把握程度如何。“笔墨当随时代”。现代以来,人的自我意识的觉醒则必然造就个性张扬的现代笔墨。无论是古人的天人合一、现代的自我发现, 还是当代的疯狂与怪诞,无不是时代的产物,是笔墨自律过程使然;笔墨语言的功能在于传达不同时期人们的不同的思想感情,而不同时代的艺术家又有着不同生活环境与表现对象,因此笔墨当随时代是自然而然的,时代性是笔墨语言的最本质的属性。历史不会割断,变异与冲撞后边是新的层面的和谐。让我们接续古人未了之思绪,开创今日勃勃之生机。关键词:笔墨;蒙养;生活;方向感;创新 Abstract ShiTan hasbeen apopular person inthehistory ofChinese paiming since300 hundred years ago andespecially inthemodem iswellqualified forbeing theeverlasting popular person ratherthan being popular foronly is not only because heshocks thereaders fromthe ancient tonowadays by hisrichand creativeworks,but alsobecause theesthetics connotation inhis{Hua Yu Lu》 attracts thousands depend on thepainter’Scontrolling ofthe may lead toSUOT.. on‘bining ofthebrush and ink,which cannot beseparated andwillgive outendless imagination’.That istosay,he isopposed totheconcept thatthepainting isjust understood superficially as drawing the outlines de印meaning ofthe painting isjust where the essence of apainting theobtaining ofthedeep meaning,as faras Shiisconcerned,totally depends on how thepaintersunderstand lifoand receive theearly education.‘Paintings goalong withtheage.’From the beginning ofthemoderntimes,people’S self-awareness isawakened,which creates theopen-personalized modem and the heaven in theancienttimes,theself-awareness inthemodem times,and thecrazinessand the eeriness ofnowadays are allthe fruitsoftheage and the resultsofthepainting function ofthelanguages ofpainting liesintheexpressing ofthe different feelings and mentality ofthepeople in differentperiod the artistsofdifferentage have different lifeenvironmentandobjects to express.
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