苏轼文论中的生态文艺思想初探.doc

摘

要
目前,文学批评领域的“生态潮”方兴未艾,并诞生了一门
新兴的边缘学科——生态文艺学。受此启示,笔者尝试把生态
学引入古代文论研究,从生态文艺学的崭新视角来探讨苏轼的
文艺理论。
全文分三章。第一章首先简单阐述生态文艺学兴起的背景
和现状,交代研究的缘起和意义,然后扼要介绍苏轼文论的研
究现状,并详细列出本论题涉及的生态文艺思想的具体内容。
第二章分别从民族文化传统、生态文学和生态诗学传统及苏轼
自身的生态人格思想和生态文学创作实践三个方面,论述苏轼
文论中生态文艺思想形成的原因。第三章是文章的主体部分,
共四节。第一节论述苏轼创作论中的生态文艺思想:主要体现
了生态文艺学的“天人合一”观、整体观和系统观;第二节分别
从作家的创作生态调适、作家创作心理和审美趣尚与环境之关
系两个方面,揭示出苏轼作家论中的生态文艺思想;第三节从
形式论和风格论两个方面论述苏轼作品论中的生态文艺思想,
它们分别表现为“作品形式即生命形式”和“多元共存”;第四节
主要探讨苏轼对中国传统文论中几个基本问题的看法:“文(书)
如其人”、意境论和作品鉴赏实践,并揭示出其中的生态文艺思
想。
关键词:苏轼

文艺理论

生态文艺思想
Abstract
At present, an ecological trend in the field of literary criticism
is in an ascending course, out of which a new frontier branch of
science has emerged--Ecologicalistic literature and art. Against this
background, this paper introduced Ecologicalistic theory into the
study of ancient Chinese literature criticism, looking into Su Shi’s
thinking on literature and art from an ecologicalistic angle.
This paper consists of three parts. Chapter one introduces the
background and the current situation of ecologicalistic literature
and art, the background, significance of this thesis, the previous
studies on Su Shi and the concrete contents of eco-thinking on
literature and art involved in this thesis. Chapter two studies the
causes behind Su Shi’s eco-thinking of literature and art from the
respects of cultural tradition, Su Shi's own eco-personality thought
and his eco-literary creation practice. Chapter three is the main part
of this thesis, comprised of four sections. Section one introduced
the eco-thinking of literature and art in his creation theory, which
mainly includes the view of harmony between human and nature,
holistic view and systemic view. Section two discussed the
eco-thinking of Su Shi from the respects of the adjustment of the
ecology of writer’s creation and the relationship between the
writer’s psychology, aesthetic interest and circumstance. Section
three discussed Su Shi’ eco-thinking fro