梅娘小说中的女性形象.pdf

摘要 IIIIII \19751 90 梅娘,原名孙嘉瑞,笔名敏子、孙敏子、柳青娘、云风、孙翔等,是活跃在上个世纪三四十年代华北东北沦陷区著名的作家。梅娘的小说创作,从自身的成长经历和情感体验出发进行着飘离政治的叙述,由于没有融入当时的主流文学, 因此她的影响力仅限于特定的区域——东北、华北沦陷区。论文分为引言和正文两大部分。引言部分主要从沦陷区特定的历史背景入手去探索沦陷区复杂的文学创作, 然后梳理梅娘研究的历史发展脉络,并根据研究的现状确定正文的主要内容:从具体的文本出发,对小说的女性形象及特色进行论述。正文部分主要分析梅娘小说中的女性形象以及小说的艺术特色: 第一节小说创作历程主要论述梅娘小说创作的三个阶段:社会人生的试笔、对女性命运的关注、社会百态和女性的命运。第二节小说中的女性形象传统的观点认为梅娘后期的创作属于社会言情小说的行列,因此背离了早期对女性解放道路的探索之路。事实上梅娘的前后期创作是连贯的,思索的都是女性解放出路的问题,这典型体现在女性形象的塑造上。正是在这一前后承继的思索下,其小说中的女性形象成为一个整体。第三节小说的艺术特色主要表现在:抒情性与故事性相结合;在两性矛盾中刻画人物心理;象征手法的运用。梅娘的的小说创作犹如一缕清香划过沦陷区特殊的天空,她对女性的强烈关注使她的创作融入了“五四"以来女性文学的创作潮流中,她独特的文学风格丰富了中国现代文学创作。关键词:梅娘小说创作女性形象艺术特色 Abstract Mei Niang,an established writer,who was active inNorth of china and Northeast occupied Regions during the 30s and 40s last century. Her original name was Sun Jiarui and she once used Minzi、Sun Minzi、 Liu Qingniang、Vun Feng、Sun Xiang and SO on as pen by her own developmental and emotional experience,the creation ofher works was the picture ofthe turbulent politic at that catering for themajor stream ofliterature at that time,her influence was only confined to some certain areas--North ofchina and Northeast occupi ed Regi ons. My essay is divided into two parts:Introduction and Context. The part ofIntroduction digs into the intricate literature。makes the historical development ofMei Niang’S research clear on the base ofbackground upied area. What’S more, according tothe current study,I determinins what can be involved ’d like to Dut it in this way:Illustrate the female images aswell as their characters from some specific contexts. The Context mainly analyses the female images and art feature of her works: First part:The process ofher work creat ion. Itfocus on three stage:first attemptation tothe real society;concern about the fate offemale;the relationship between the society and WOmen’s destinv. Second part:The female images post--creat ion ofMei Niang was recognized as the line ofRomantic works bytraditi