绛帖》研究.pdf

摘要《绛帖》研究美术学专业硕士研究生肖成彦指导教师曹建教授摘要《绛帖》是由北宋潘师旦在山西绛州所摹刻的,虽然《绛帖》具体刻成于何时没有明确的史料记载,但亦是极早的私家刻帖。《绛帖》从问世之日起,便受到学书者的青睐。然而白潘师旦去世,其二子分家后, 《绛帖》又几经翻刻,版本层出不穷,先后出现了东库本, 新绛本,武冈本,“亮”字不全本等等。南宋中后期,《绛帖》祖本已经不易见到。研究《绛帖》的著作虽不少,但当时的学者也难以说清各个版本流传演变的关系。元明两代,《绛帖》受关注的程度有所降低,然亦有小部分书家对其进行收藏与研究。清代碑学兴起,然而帖学依然延续着强大的生命力,许多达官显贵都是帖学的忠实传承者,而《绛帖》作为刻帖中极重要的一个丛帖,依然受到很高的关注。从清初之时起,便不断有书家或收藏家对宋拓《绛帖》进行考证和收藏,他们对《绛帖》的重视程度不亚于《淳化阁帖》和《大观帖》。本文将主要讨论《绛帖》流传与演变的过程,以及现存各版本之间的关系。第一章就宋代《绛帖》的刊刻和版本流传作出详细的梳理与讨论,并主要就东库本的翻刻问题进行研究并提出新的看法:第二章对《绛帖》在元明两代的流传情况作一个简要的论述,其中涉及到部分书家与藏家对《绛帖》的关注情况,也是对此阶段《绛帖》接受史的一个补充;第三章就清代学者对《绛帖》的收藏与研究作必要梳理和讨论,并重点对伪本《绛帖》的相关问题作一番详细的论述。关键词:《绛帖》宋拓本刻帖伪《绛帖》万方数据 Abstract Ab stract Jiang Tie a crave reproduction of an inscription orpainting,which was made by Pan Shidan inShanxi Jiangzhou inNorthern Song there no clearhistorical records about making time inJiang Tie,it avery early private Tiehad attracted amounts of scholars when Was ,since the death of PanShidan,after histwo sons were separated,Jiang Tieversion emerged inan endless stream,informing theDong Ku versions,Xin Jiang versions,Wu Gang versions,and”Liang”word plete versions and SO the Southern Song Dynasty,Jiang Tienearlydisappeared from researches on Jiang Tie works were not afew,but thescholars were alsodifficult toexplain therelationsamong various thetwodynasties,the degree of concern inJiang Tiereduced,but there were asmall part ofcalligraphers researched and studied stelae developed prosperously,however, calligraphy stillhad acontinuous andstrong dignitaries were faithfulinheritance Jiang Tieasthevery important rubbings from calligrapher’S incriptions,still obtaining particularly high theearlyQing Dynasty,calligraphers orcollectors continuously to collectand research Song Dynasty Jiang attention on Jiang TieWas not lower thanthat of Chun Hua Ge Tieand Da Guan paper willmainly discuss theprocess of spread and ev