想象力论：大江健三郎小说方法论文.pdf

暨南大学博士学位论文想象力论:大江健三郎的小说方法姓名:王琢申请学位级别:博士专业:文艺学比较文艺学指导教师:饶芃子 摘要关于想象力问题,大江健三郎在文艺理论和创作实践两个方面做出了积极的尝试。理论上,他接受萨特、巴什拉和布莱克等想象力理论的影响,在评论和文艺随笔中始终如一地以想象力问题为核心,努力打破以私小说为代表的日本传统“虚构论”的禁锢;实践上,他把想象力理论自觉应用于世界名著的文艺批评, 并以此来提升自己的小说创作。大江健三郎把想象力作为文学创造的基本原理, 在小说创作论的层面上,提出了语言一文体化、意象一分节化等问题,旨在于文学想象力的活性化;在文学社会功能的层面上,提出政治的想象力一一核时代的想象力和民众共同的想象力等问题,旨在于把萨特的“文学介入说”应用于日本的批评实践一一打破“天皇制”对全体化叙事的束缚。大江健三郎强调,想象力要面向未来经验,改变意象,这对于日本传统文学表现一一“天皇制”禁锢下的“中心指向性”和“单一性”,无疑具有极大的冲击力。在全球化或全球一体化的当代语境中,如何开放(解放)主体的想象力,不断改变意象一语言结构,是比较文艺学研究的重要课题。关键词想象力经验体验‘语言文体化意象分节化活性化边缘化 Abs tract Kenzaburo Oe has made active attempt to use imagination both in theory and in theory,he accepts Sartre,Bachelard and Blake’S theory of imagination,focuses on the theory of imagination in hiS ments and sketches,and tries hiS best tobreak the rules of traditional Japanese theory of“fiction”which is represented by self—centred practice,he uses the theory of imagination sub——consciouslY to critiCize the world——famous works and to improve hiS own novel takes the force of imagination as the principle of novel writing,and at the level of novel writing,he puts forward the issues of language styl ization and image conversion to achieve the activation of literary the level of the SOCial function of 1iterature,he puts forward theproblems ofthe imagination ofpolitiCS the imagination at the nuclear times and the publ iCimagination,meaning to employ Sartre’S theory of“1iterary intervention”in Japanese literary criticism practice and to break the hold of“Mikado System” on overali emphasizes that imagination should be future—oriented and images should beconverted,which undoubtedlY serves as a great impact on the traditional Japanese 1iterature,.,on the trend of“theme—oriented” and“unitary theme” in the “Mikado System”.In the modern context of globalization,how to set free the imagination of the subject and how to change the images,that iS,the language structure,wi 11be a very important th