吴昌硕引书入画之研究.pdf

摘要吴昌硕是中国近代画坛有丌创性业绩的、承前启后的一位艺术大师,是诗书画印融会贯通于一身的近代文人画巨匠,他的“引书入画”的艺术实践, 完成了从传统内部破解中国画现代发展的难题,在今天仍有着重要的现实意本文以吴昌硕“引书入画”为主要线索,着意梳理出书法篆刻对吴昌硕绘画成因的重要作用。吴昌硕的“引书入画”,无论是理论建构还是实践操作,其主动性指向是明确的,书法对吴昌硕来说,有着独特的实际意义,是其笔墨和画法的“活水源头”。吴昌硕对书法之于文人写意绘画的基础性强调和实践操作,几乎伴随其一生。没有人象吴昌硕那样,积极主动的将书法原理用于绘画,并取得如此高的艺术成就。可以说,吴昌硕的绘画是建立在书法基础之上的楼阁,它的稳固和高度关乎书法。研究吴昌硕的理论文字已有不少,研究成果也斐然可观,但以往的研究者大多就画论画,或就书论书,书法和绘画结合论者也有,但大多不深入、不系统,是很难全面认识吴昌硕的艺术成就成因的。笔者认为,吴昌硕的绘画成因与其书法有着不可分割的联系,其绘画艺术,无论在技术层面和理论层面,都可落实在书法“支柱”上,书法是支撑其绘画艺术大厦的内在因素。本文想通过对吴昌硕“引书入画”的艺术实践, 通过对其书画关系的研究,寻绎出吴昌硕书法与绘画的有机联系,及书法在其绘画中所起的作用,以期对其绘画成因有一个较深入的了解。关键词:引书入画篆籀石鼓文蜾扁精神 Abstract Wu Changshuo,a contemporary artistic master,has made an unprecedented achievement and played a transitional role in China’S contemporary a scholar painting giant bines thepoetry, calligraphy,paintings and seals artistic practice of‘‘drawing calligraphy into painting”,which resolves the problems of searching for the modem development oftraditional Chinese painting from traditions itself,iS contributing agreat significance today’S traditional Chinese paintings. The dissertation focuses on theremarkable importance how thepenmanship ofⅥ~Changshuo effects on the“drawing calligraphy intopainting” active direction ofthe principle quite definite whether theory or ,the living sources ofhis penmanship and painting unique and practical meaning.Ⅵ~’S opinion thatcalljgraphy thebaseandpractice for thefreehand brushWOrk ofthe scholars’panies him formost ofhis exceDt him can actively put thecalligraphy principle intothe practice ofpaintings and win such great sayWu’Spainting acastle built on the case of thecalligraphy,and stability and level connected with thecalligraphy. There are alotsofstudies onⅥru’stheory,and the results are impressing. But most oftheprevious researchers analyze hispaintings with regard only the thesame case thestudies ofhiscalligr