歌剧《玛侬·莱斯科》中格里欧三首男高音咏叹调演唱研究.pdf

中文摘要
咏叹调作为歌剧的重要组成部分,具有完整的曲式结构,篇幅也较大,适宜
表现人物角色复杂的内心活动、丰富的情感世界,以及剧情发展时的冲突和矛盾
等,常处在歌剧剧情发展高潮的位置上,注重发挥、揭示和抒发人物角色的内心
世界,并集中表现剧中人物的声乐技巧,展示担任角色者的演唱才华。本文以普
契尼的歌剧《玛侬·莱斯科》为研究对象,重点探讨了歌剧中男主人公格里欧
三首男高音咏叹调的演唱艺术。这几首咏叹调风格各异,演唱技术由易到难,
可为男高音的训练及演唱提供范例。全文除绪论和结语外,正文分三个部分。
一、普契尼歌剧《玛侬·莱斯科》概况。从《玛侬·莱斯科》的创作背景、
剧情线索、特色艺术成就几个方面加以概括和论述,为其后的音乐本体分析与
演唱技术研究提供基础。
二、三首男高音咏叹调的解析。本章先对格里欧在歌剧中的戏剧和音乐因
素进行分析,然后对三首咏叹调在推动歌剧剧情中所发挥的作用和在音乐上进
了行分析,意在为演唱者更好把握作品的戏剧和音乐,从而为塑造角色艺术形
象提供参考。
三、三首男高音咏叹调的演唱研究。在歌剧咏叹调演唱中,只有在充分了
解角色性格特征,懂得对作品进行艺术处理,并掌握娴熟的演唱技术的基础上,
才能塑造鲜活的舞台人物形象,才能真正地去诠释作者在创作中所要表达的真
正涵义。


关键词:普契尼;歌剧;咏叹调;《玛侬·莱斯科》;男高音;演唱















I
ABSTRACT
Opera aria as an ponent of plete musical structure, length is
also larger, suitable for the performance of plex inner life characters, a rich
emotional world, and the plot development of the conflict and contradictions, often at
the opera plot development peak position, pay attention to, reveal and express the
inner world of characters, and focus on the performance of vocal characters in the
play, and show the role played by the singing talent. In this paper, ini's opera
"Manon Lescaut" for the study, focusing on the opera hero Ges Grieux three tenors
concert aria arts. These styles first aria, singing technique from easy to difficult, for
tenor and concert provides an example of the training. In addition to the full text
introduction and conclusion, the body in three parts.
1, ini opera "Manon Lescaut" profile. From "Manon Lescaut" creative
background, plot lines, special artistic achievement to be summarized, and discussed
several aspects, for analysis and post-concert music ontology based Singing
technology research.
2, Three tenor aria of the analysis. This chapter first on Ges Grieux in opera and
musical theater analyzing the factors, then three opera arias in the promotion of the
role played by drama and music to progress in a line of analysis, intended to work for