德彪西钢琴作品《版画集》分析-音乐学专业论文.docx

第二节力度......................................................55
第三节音色......................................................58
结 语........................................................... 63
注 释........................................................... 64
参考文献......................................................... 67
后 记........................................................... 73
德彪西钢琴作品《版画集》研究
中文摘要
伟大的法国作曲家德彪西是二十世纪现代音乐的创始人,是印象派音乐的鼻祖,在西方音乐史中具有举足轻重的地位。他打破了传统的西方作曲原理和技巧,以全新的音调、曲式、和声和音色开创了独具特色的作曲手法和风格。耐人寻味的是,他的创作风格受到了来自法国象征主义诗歌、印象主义绘画和日本浮世绘木版刻画等其他艺术门类的巨大影响。此外,1889 年在巴黎世界博览会上首次亮相西方的爪哇佳美兰音乐所带来的大量东方音乐元素,也对这位伟大作曲家的创作产生了深远的影响。《版画集》是最著名的钢琴代表作之一, 它几乎融合了德彪西音乐创作的所有精华,在全世界广为流传。
本文将对影响《版画集》创作的相关因素进行分析。在陈述作品的创作背景之后,首先对爪哇佳美兰音乐的特点进行讨论,然后分析印象主义和象征主义的特点及其在《版画集》中的体现,随后对德彪西在作曲上的创新进行论述。此外,本文还将基于上述分析,结合三位钢琴家演奏的不同录音版本,给出关于《版画集》演奏技巧方面的建议。
关键词:德彪西钢琴作品《版画集》研究分类号:
I
A Research on Debussy‟s Piano Work---Estampes ABSTRACT
The great poser, Achille-Claude Debussy, was born on August 22, 1862, at Saint-Germain-en-Laye. Debussy occupied a significant position in Western music. He challenged positional styles and tried to find new ways to write music, in terms of tonality, form, harmony and timbre, which broke up the conventional Western principle. positional style was influenced by both Symbolism, which was a literary style in French, and Impressionism, a novel trend in painting that was developed in the late eenth century. poser was also deeply fascinated by wide range of Eastern sounds produced by Javanese Gamelan music, which he was first exposed to in 1889 at the Paris Universal Exposition. Estampes (Prints) almost including all excellent traits of Debussy‟position, which is one of the most famous piano works, ing hugely popular all over the world.
This dissertation will analyze the elements that influenced Debussy and the corresponding traits of Estampes. After the stating the background of position, I will begin by discussing the characteristics of Javanese Gamelan music