世纪美国文学中的中国形象.doc

20世纪美国文学中的中国形象
于海彬
ABSTRACT
In the development of human civilization, muti-cultural collision and mutual infiltration play an important role. In the human cultural exchanges, Western civilization spread to the East and Eastern civilization spread to the West are two important fields. But in practice research, the former is the most frequently discussed topic by Chinese scholars, and the latter whether the
researchers or results are still very few, what is inappropriate of China's role
in the course of world civilization. One of the reasons caused this situation is,
most of our research is from China, focus on the impaction that Western
culture sharpen China's society and culture. Since the 1990s, Economic
Globalization valuing diversity process expanded our focus of research. We
need to study this issue. World history is an interacted process. Not only Western shaping
China's modernization movement, Chinese images also shaped Western
culture as an alternative. This point can be seen clearly from the Chinese
images in the Western world. Focusing on the 20th century, this essay analyzes the otherness of
Chinese images in many books: Doctor Fu Manchu (Sax Rohmer), House of
Earth(Pearl ), The Anthill(Suzanne Labin), Political Pilgrims(Paul
Hollander), Chinese Shadows(Simon Leys), China Wakes(Nicholas. then expatiates on the United States is how to create Chinese images, to see the interpretation and the Misreading, to see
the ever-changing China, how to use the Chinese images in the history of the
20th century in the United States. Display occurrence and evolution,
traditional and prototype, understanding and imagination, fiction and bias, and
the present and Future.
This essay is divided into five parts:
The first part is the introduction. Analysis of several very important
concepts, brief review of the history of western Chinese images, summed up
the special significance of the 20th century.
In the second part, analysis Doctor Fu M