道教曲牌音乐发展研究-音乐学专业毕业论文.docx

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目 录
·1
研究范围界定 l
.... 1
”5
“5
·6
”6
7
先唐道教的发展概况 7
8
10
唐代道教曲牌音乐的概况 10
唐代道教曲牌音乐的产生背景 lO
1l
“16
宫调与道教曲牌音乐 16
17
23
”23
:卜
I 23
24
..28
《玉音法事》曲牌音乐的形态特点 28
民间道教曲牌音乐的特点 35
金代全真道士的曲子创作 ·38
··42
42
··46
元代神仙道化戏与道教的关系 46
明清道教曲牌音乐的世俗化 48
致谢 : 58

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Contents
.................... ..... ........ .. ..........................1 Scope of study . .1
Literature Review l
Significance of topic and writing ideas 5
f■
Significance oftopic . 5
Writing ideas . . ..6
Innovations and limitations. .. ... . ...... . ...... ...... . ...6 of Taoist music before the Tang Dynasty..
Development ofTaoism before the Tang Dynasty . . ..7
Emergence of Taoist music .8
of tune in Taoist music in the Tang Dynasty......... .. .10 Overview of tune in Taoia music in the Tang Dynasty ....... . . . 1 0 Background of tune in Taoist music in the Tang Dynasty 。1 0
:;. Rise oftune in Taoist music in the Tang Dynasty ..1 1
Features oftune in Taoist music in the Tang Dynasty 16
Modes and tulle in Taoist music in the Tang Dynasty ...... . .. ..16 Analysis on forms oftune in Taoist music in the Tang Dynasty .1 7 of tune in Taoist music in Dynasties of Song and Jin .... ..23
b-
Prosperity oftune in Taoist music in the Song Dynasty 23
乞
Environment of tune in Taoist music in the Song Dynasty 23
Prosperity of tune in Taoist music in the Song Dynasty 。24
Features of tune in Taoist music in the Song Dynasty 28
Features on forms oftune music in Yuyin Fashi .28
Features oftune in folk Taoist mu