筝曲《玲珑剔透》的演奏艺术分析.pdf

摘要

摘要
陶一陌是现代筝曲的创作先驱之一,他的作品,不仅运用古筝传统的写作技法,注重古筝在音
响形态上“点”的灵动,并且其对音色的处理,传统技巧的变化与运用,秉承中国传统“音与意合”
的写意手法的特点,以及写意性的创作理念可以代表了一种当代古筝音乐的创作潮流,即以具有时
代感的新视角去重新审视中国传统音乐的气韵,利用综合性的写作技巧来创作出具有当代气息的筝
曲。对他所创作的筝乐进行研究,可以通过对其作品中的传统音乐的保留与创新之处的分析,力求
在对演奏现代筝曲上具有一定的指导作用和实践意义,亦在作曲的理念和技巧上具有一定的借鉴价
值。
本文选取作曲家陶一陌的一首作品《玲珑剔透》作为研究对象,通过对这首作品演奏艺术的分
析来诠释其音乐在筝曲中的艺术表现,并对演奏者在演奏现代筝曲时的艺术控制有所借鉴。从而对
现代筝曲创作走向作出宏观解读与把握。

关键词:古筝;《玲珑剔透》;取音;单手泛音弹按;“墨韵”






























I
南京艺术学院硕士学位论文

English Abstract
Yimo Tao is a poser in contemporary zither music. He not only uses
traditional writing techniques of zither music to focus on the spirit of the “point” on the audio
morphology of zither, but also changes the use of traditional skills to treat the timbre of zither. It
has the characteristics of Chinese traditional “sound and parataxis” freehand techniques, as well
as the creative concept of freehand brushwork, which can represent a creative trend of
contemporary zither music. In addition, it uses a new contemporary perspective to review the
artistic conception of Chinese traditional music. It is zither music with the spirit of the times which
is written prehensive writing skills. Studying of his zither music can analyzes retention
and innovation for traditional music in his works which has certain guiding effect and practical
significance for the zitherist in performing modern zither music, and certain reference value for the
zitherist in positional concepts and skills.
This dissertation selected a zither music called<Exquisitely Carved> which is written by Yimo
Tao as an object of study. It can explain the art performance of this zither music by the analysis of
performance art in this work and reference for the artistic control of zitherists when they are
performing modern zither music.
Thus, it can help zitherists to own a macro interpretation and master the creative tendency in
mo