Sound Engineering Tutorials From Sound On Sound -- Technique - Faq Recording Lead Vocals(1).pdf
Barry Rudolph: Drum Mi k i ng T echni ques pt. 3 Page 1 of 2 Search H om e Ar chives L etters New s Classifieds B ooks D is cus s ions L inks S of t w ar e About S t af f
November Columns Related Articles Suggested Reading 2000 True Love Professional Microphone Techniques, with • CD, Vol. 2 Drum Miking • Brauner VM1: Consequence of an Experience Techniques pt. 3 • Crown CM-700 MP Bass Drum • Shure KSM32/SL Studio Condenser • Marshall MXL2001P • Beginning Mic Techniques • Drum Miking Techniques • Worthy Adversaries Alesis AM40 and AM62 Tube Microphones • by David Miles Huber • RØDE NT1000 and NTK Microphones Barry Rudolph Contributing Editor Bass Drum
The kick or bass drum is easy to record since it is usually played (in pop music) at the same volume throughout the song. Producers and engineers look for a "marriage" of the bass drum with the bass instrument because they both occupy and make up the important bottom end of the record. Fig. 3 shows my usual starting place for the bass drum mic. The Beta 52 in the picture is placed half in and half out of the hole in the front head. This distance is variable and I try to keep the mic pointed exactly at the spot on the rear head where the beater hits. Fig. 4 shows an old '70s' trick where the microphone goes right inside the drum. This produces a very present and dry sou
Sound Engineering Tutorials From Sound On Sound -- Technique - Faq Recording Lead Vocals(1) 来自淘豆网m.daumloan.com转载请标明出处.
