终南余韵——唐代以后终南山对山水画的影响.pdf

终南余韵——唐代以后终南山对山水画的影响专业:美术史论硕士生:王建玉指导教师:彭德教授论文摘要: 本文旨在论述终南山对唐代以后中国山水画的影响,由直接的对应关系转换为间接的人文情怀,具有专题研究和综合研究的特点。论文涉及三个问题,分述如下。其一,终南情怀的式微:唐代以后,宋、辽、金政权对峙和版图摆动的前沿地带即在秦岭山脉的南北。终南山的军事地位上升,文化地位下降,逐渐失去了其在山水画创作中的地缘与文化中心地位。其二,终南情怀的孑遗:唐、宋代以后,终南山对山水画的影响还在持续,可分为具体与抽象二种形态。前者是指与终南山直接相关的山水画创作;后者是指与王维、范宽的画风相关的山水画创作。其三,终南情怀的复归:明朝人王履、清朝人戴本孝游历终南山,并图写华山的事迹,体现了终南山水原型和山水画渊源对山水画创作的影响。王维《江山雪霁图》、《辋川I图》等画作在历代的备受珍重,以及其流传、摹写、勒、拓,所蕴含了终南山隐居的诗意与功利的双重情结。终南山孕育的山水画艺术和艺术思想,影响从未间断。终南山对中国山水画的影响, 既是一种有原型意义的现实影响,又是一种内化为山水隐逸文化情怀的潜在影响。关键词: 终南山山水画华山研究类型: 综合研究 Permanent charm oftheZhongnanshan ---the Zhongnanshan impact on thelandscape painting aftertheTang dynasty Specalty:Art History Name:wang jianyu Instructor:Professor peng de Abstract: 啊1emain point ofthisarticle discussed the effectswhich theZhongnanshan afterthe Tang dynasty inChinese landscape ofthisarticle、Ⅳim aspecialstudy ofthe characteristics,but alsohas acomprehensive research ofthisarticlein order toconstitute thethreetopics ofresearch papers started,they ale described below. First,the declineofZhongnan feelings:After theTang Dynasty,Qinling Mountains is theSong,Liao,JWs borders,but alsothey are the frontline military advancement,and cultural statusof down,and gradually lost itscreation inthe geopolitical landscape and cultural center. Second,Zhongnan feelingsrelic:A断the Tang-Song Dynasty Zhongnanshan impact on thelandscape isstillongoing,and Canbe divided intotwo kinds abstract refersZhongnanshan directly related tolandscape creation;the latter refersWang Wd,Fan Kuan's style related toLandscape Painting. Third,Zhongnan feelings ofreversion:m earlyMing’SWang LvandearlyQing’S Dai Benxiao had been totraveled Huashan and write as the source,the valueof theevolution oflandscape painting of , ¨Jiang Shah Snow tt,”Wangchuan¨and otherpaintings intheancient treasure highly,and itsSpread,copying。printing,the emb