《论画家常玉的绘画风格》.pdf

西北师范大学硕士学位论文 Ⅱ. 摘 要 近现代中国有这样一些优秀的个体画家,因为处在文化艺术潮流的边缘而几乎被美术史的书写者所遗忘。今天的人们从喧闹的中西之争中冷凝下来,并且日益关注于绘画本体时,惊奇的发现了那些被历史的灰尘遮蔽而默默慰问的实践者们,他们的历史成就令人吃惊,也许和同时代的许多画家相比,他们的绘画没有承载什么“社会的”或“艺术史的”责任,但他们确是遵循着一个艺术家的本分。在上世纪初的巴黎,曾有一位中国艺术家像莫迪里阿尼那样,过着颓废潦倒的生活,完全将自己的爱欲和生命消耗在绘画里,时人称他为“中国的马蒂斯”,他就是常玉,一个被世人所淡忘的画家。 常玉是中国早期旅法画家流亡在域外的一个典型的悲剧人物,同时他又是一个为自己艺术信仰而自由创作、成就斐然的绘画大家。时光荏苒,珠玉蒙尘,吾辈拂拭有责,赋珠宝于重辉,常玉是一颗不可湮没的东方明珠。 本论文分为引言、正文和结语三个部分。正文部分包括四章内容,第一章简述了二十世纪初的中国的社会环境和艺术文化环境。第二章简述了常玉在日本和法国的求学经历。第三章着重分析了常玉的艺术风格。第四章对常玉的艺术风格的形成的进行叙述。关键词: 常玉 造型 色彩 马蒂斯 影响 西北师范大学硕士学位论文 Ⅲ. Abstract In the modern history of Chinese art, there were so me outstanding painters who were forgotten by the writers of art history because they were pushed out of the main tide of temporal art. However, when pe ople calmed down after the disputing between Chinese and western minds, we found in su rprise that the achievements of these practicers, who were unknown to public at that time, were indeed amazing. Comparing with the contemporaneous writers, their works might not take much responsibility of society and hi story of art, but they surely took the duty as artists. In the last century, there was a Chinese artist who just lived a kind of depraved life as Modigliani in Paris. He devoted all his love and life to painting, and was called “Matisse in China" by people of the day. His name is Changyu, who was a great painter forgotten by the world. Changyuis a typical tragic feature of the painters who spent their life abroad in France in early times. Meanwhile, he is a great feature who got great achievements when struggling for his belief in art. Ti me flies. Our generation should take the responsibility of illuminating th e greatness of his works. This paper consists of three parts: fo reword, text and conclusion, and there are four chapters of the text. In the forewo rd, the reason why the topic was chosen was presented, as well as the current study of this topic, the main content of the