中国当代水彩风景画研究.pdf

,一是在中西文化的交融,』j传统与现代的碰撞中,由舶来、)萌芽,,,逐步发展到初步繁荣j,在开始被人们不多关注的寂寞中热闹起来61然而,:::中国当代水彩风景画还处于少有秩序和略显繁杂的状况i“这也说明它还不够成熟和完善;在热闹的后面’;f水彩风景画审美的自律性‘从主体精神到形式语言上都有待纯化,这种纯化是需要艺术家在更深层面上进行思考,‘在表现语言上;一从艺术家个性化探索和表现的同时;j关照内在的民族特性和时代精神。随着艺术视野的更加开阔,。形式语言的丰富多样,·。中国水彩风景画自身应该与其它艺术形式保持距离,.达到自身语言的相对纯洁^使之走向水彩艺术语言的丰富性和独立性∥是当代水彩画家们思考的课题以如何摆脱水彩画其文化传统的从属地位;÷最大限度地扩大水彩画的艺术表现力;:探索水彩画教学新的模式,i提高水彩画的艺术品格和技艺水平∥:加强理论研究是创建和完善中国水彩画体系和提高当代水彩艺术品质的关键‘。· 水彩画在中国现代的发展可谓历尽曲折,:在经过长期的欲振不兴之后, 直到近几十年形势才有所好转∥今天∥水彩画进入了空前的发展阶段,礓通过一系列的画展和评奖,壮大了水彩画专业队伍:t扩大了水彩画的影响; 水彩艺术专著和画册的出版也越来越丰富多彩∥水彩画迎来了它的繁荣时期∥’水彩风景画也随之进入繁荣时期6 。21世纪是r个多元并行、,’和谐发展是时代的主题∥’多元化在某种意义就是既坚持民族性又博采众长,既借鉴其他画种又保持其独特性,∥而表现性则是中国传统文化艺术的特征,}近年来很多作品一,:,虽然选题的角度各不相同n但都反映了中国水彩风景画在题材。形象广技巧等方面的多元趋势。关键词:%当代≯风景画;:中国水彩;艺术特色:艺术 ABSTRACT Chinese watercolor painting course,it WaS precisely thisblend ofChinese and Western culture,the collision of tradition and modernity,2 Chinese watercolors byimported gradually,embryonic development toinitialprosperity, inthebeginning WaS not much concerned about thelonely’people in the excitement ,contemporary Chinese watercolor landscape painting stillinthe rareorder,and plicated situation,it also shows thatitnot mature and improve,in the excitement behind Watercolor aesthetic of serf-regulation,the spirit oftheform from themain linguistic have yet tobe purified,such purification is‘needed。at adeeper levelartiststoreflect on the performance language,from artiststoexplore andpersonalize theperformance atthesame time,take care ofinternal nationalidentity andspirit Ofthetimes.. 。、With thevisionof amoreopen art,the richand diverseforms oflanguage, Chinese watercolor painting and theirown shouldke印a distancefromother art forms,reaching theirown language ofrelativelypure SO as totherichartistic language watercolors and independence ofcontemporary watercolor painting is thesubject ofhome arethinking. 。’Watercolor modem development inChina hasexperienced twistsandturns, to along-term vibrationafternearly 10years untilthe situation onl