元四家山水画艺术风格形成研究.pdf

湖北美术学院硕士学位论文 I 摘要中国山水画艺术作为民族独特的艺术形式自萌于晋而成熟于唐宋以来已经历经千载始终占据中国画的主流位置其间传世佳作灿若晨星令人目不暇接作品风格多样名家辈出关于论述中国山水画美学内涵的画论多见于各类典藏文献论及山水画家艺术风格及形成渊源的著述篇章亦不可胜数中国山水画艺术风格美在中国传统画论中提法不一形成原因复杂如赵子昂的士气及高古说董其昌的南北宗说张怀瑾的三品说上述论断的基础就在于作者充分研究了山水画家主观精神与客观生活的内容即科学分析了山水画家艺术风格美形成的主要因素对山水画家艺术风格形成原因的专题探讨当代文人学者及艺术家也积极参与研究其成果显著本文拟从自然社会及个人三大因素出发全面综合阐述元代黄公望吴镇倪瓒王蒙四家山水画艺术风格形成的多重因素及美学意义其宗旨在于从理论层面上系统归纳总结元四家山水画艺术风格形成的渊源关系深入探讨了解元四家的美学观客观科学鉴赏其作品的艺术风格及价值从而实现理论指导实践的现实意义关键词: 元四家山水画家艺术风格形成原因湖北美术学院硕士学位论文 II Abstract Chinese Landscape Painting as a nation a uni que art form,since sprouts in the Jin Dynasty,and matrer in the Tang and Song D ynasty,already had been through repeatedly the thousand years,occupies the traditi onal Chinese painting mainstream position is handed down for generation the excellent work,illuminating as heabenly Morningstar,eyes cannot take it all. The work style is diverse,the famous expert pours elaborates the Chinese la ndscape painting esthetics connotation picture theory,sees in each kind of book reservati on the formation of landscape painters the artistic style of writi ng chapters are innumerable landscape Painting the artistic style on the disc ussion is diffrent in the Chinese traditim picture theory,forms the reason to be Zhao ziang's"morale"and the "ancient",and Zhang Huaijing's"th ree rank" basis of th e above asserti on,it is that the author fully study the spirit of the la ndscape painters of subjective and objective elements of life,that ic analysis of major factor about the artistic style of the landscape painters contemporary literary scholars and artists actively participated in the study to the special exploxe about the form reason of landscape painters artistic style,its results are paper from the and personal three factors starting,fully intergra ted the form multiple factors and asthetic significance about the l