近代苏州桃花坞木刻年画的社会文化史研究.pdf

近代苏州桃仡坞小刎年面的礼会义化史研究中文摘要中文摘要中又捅要桃花坞木刻年画是国家首批非物质文化遗产之一,以表现苏州地区的传统世俗生活为主要特色。它滋长于苏州城市独有的经济、文化环境中,随着市民阶层的崛起而开拓市场,并于明清传统桃花坞年画的根基上,在近代社会中发展演变。本文以历史学和社会学的方法,参用美术学和民俗学的理论,将年画作为史料,通过对现存嘉道之后的桃花坞年画的解读,以及围绕年画的创作、生产、消费、销售等各方面的分析,从中探讨近代苏州的社会经济状况、社会生活画面, 以及在社会剧变下折射出的大众心态,进而挖掘出桃花坞年画中所蕴藏独特的社会文化价值。同时,通过回顾桃花坞年画在近代社会变迁中的衰落轨迹,探究其式微的原因和教训,进而为今天如何合理保护、传承和发展桃花坞年画提供了借鉴和启示,帮助这一濒临灭绝的非物质历史文化遗产在现实社会生活中恢复积极意义。关键词:桃花坞年画;近代社会;变迁:社会文化作者:姚惟尔指导教师:池子华 Abstract SocialandCulturalHistoryStudy ofTaohuawu Wood Prints Modern Suzhou Socialand Cultural History Study ofTaohuawu Wood PrintsinModern Suzhou Ab stract The New Year PrintofTaohuawu,which has been included in the firstlist of Chinese intangible culture heritage,is characterized bydemonstrating folklifearound Suzhou city in theMing and Qing on the distinctive economy condition and culture ofSuzhou,this artform opened up itsmarket intheincreasing urban thesocial changes inmodern China,the Taohuawu print has been evolving difficulty with itsrichheritage and centuries ofbrilliant. Inthisthesis,the methods ofhistory and sociology aswell asthetheories offine artsand folklore aleused tostudy Taohuawu prints ashistorical dataofmodem China. Byinterpreting theexisting Taohuawu prims afterthe era ofJiaqing andDaoguang(in Qinddynasty)and analyzing their design,production,consumption and sells,the economical and social situations ofmodem Suzhou are prints also reflect the mentality and great social and artvalues ofthe Taohuawu print are ,by recalling the history ofthe decay ofthe Taohuawu print and studying itscauses,ways ofinheriting,protecting and developing thisintangible culture heritage and how to revive incontemporary society are considered. Key words:Taohuawu Print;Modern Society;Changes;Social Culture Written by:YaoWeier Supervised by:Chi Zihua 苏州大学学位论文独创性声明 749296 本人郑重声明:所提交的学位论文是本人在导师的指导下,独立进行研究工作所取得的成果。除文中已经注明引用的内容外,本论文不含其他个人或集体已经发表或撰写过的研究成果,也不含为获得苏州大学或其它教育机构的学位证书而使用过的材